虫虫助手是一(🖌)个功能□常(🚜□强大的□戏辅助工具,玩家可以在□□工具中找到所需的游戏资源,□□□他□家□□交流和探讨。虫虫助手提(🎫)供□(□)丰富的手□□(💹)□,包括大□游戏、中文游戏等,同时还有游戏□包和福利活□供□家领(🙂□...<□p>T□o d□fferences □etween this Aust□ian version and the gene□□l□□ □vail□b□e Ameri□an version are im□ediately□obv□□u□□ they differ both in their□l□□gth□and i□ th□ languag□ of t□e intert□tles□ The Am□ri□an □ersion is□on□y 1,883 me□res long - at 18 f□ames pe□ second a differ□n□e o□ s□□e 7 minutes t□ t□e Austrian vers□on with□2,045 metres. Where□s we or□gi□ally pr□sumed only□a negligible differe□ce□ resultin□□from □h□□var□ing leng□h of □he in□erti□les, □ dire□t com□a□iso□ ha□□never□h□less shown that□□h□ A□strian □ersion d□ff□rs from□the American □ersi□n both i□ th□ montage and□□n the du□ation□of□indiv□dual scenes□ Yet h□w c□ul□ it happ□□ tha□ the □ater□reg□onal□dis□r□b□□ion of a c□nonic□l US□s□lent film w□s □onge□ t□an the □q□ot;or□ginal ve□s□on"? □The prevalen□ American vers□on□of Blind Husbands does not c□rrespo□d □o the□v□r□□on s□own at the prem□ere o□ □919. This little-know□ fact □as alre□dy □ublished b□ Richard Kosz□rski in 1983. The□film was re-release□ by □niversal P□c□ur□s in□□92□,□in □ version tha□ wa□ 1□365 □e□t (41□ metres) shorter□ At 18 f□ames per second, this am□unts to□a t□m□ differe□ce of 20 □inutes□□&q□ot;T□□le□ we□e altere□, sni□pe□s □f□□□ti□n remov□□ an□□a□□least□□ne□□ajor sc□ne □aken out □□ti□e□y, where von Steube□ and Mar□aret visit a small local□chapel□□quot; (Koszarski) □F□om th□ □r□sent state of□research we can□□ss□m□ th□t□all □he □no□n A□erican co□ies of the film deri□e fro□ this□shorten□d □e-release□versio□, a□c□p□□of wh□ch□□ni□ers□l don□□e□ to□t□e M□□□um of □odern A□t □□ 19□1. □ccording □o□Koszarski □he□origi□a□□negative of the film □as □estroy□d□so□etime b□□ween □956 and 1□61 □nd has therefore□been irretrieva□ly lost. □his inform□tion cast□ an inte□esti□g □igh□ o□ the Austrian v□rs□on, wh□c□ can□b□ da□ed□to th□ p□rio□□betwe□□ t□e□□um□er of 1921 an□ the winter □f 1922. □□r□hermore, t□e copy i□□some 200 metres long□r than the □S □□rsion of 19□4. If one foll□ws the detail□ □□ven by Richa□□ Koszarski and Arthur L□n□i□, th□s□me□ns□□hat,□as□□ar as□b□th it□ da□e and □ts l□ngth are conc□r□□d, th□ Austrian ve□sion lies almo□t exactly in the m□ddle between the (lost) ve□s□o□ □h□□n at the premi□□□□and□□he□re-released one.A large part□of□the addi□ional length of□th□ film □□□ be t□ac□d to cuts that were made to the 1□□4 version in almost every shot. Kos□arski describes how th□ □eginn□ng a□d the end□□□ sc□nes were□tr□mme□, □n order to "spe□d □p" the film□ However, mo□e exciti□g was t□□ disc□very that the Au□trian versi□n cont□ins shots that are□missi□g □n □h□ A□eric□□ one - sho□s/countershot□,□intert□tle□ - and fu□thermore show□ differences in its montage (i□e□ t□e placing of□t□e individual shots w□□hin □ sequ□nce)□ All □his indicates □hat□Die Rache □e□ Berge constitutes the oldest and □ost completely □res□rve□ material of the film.
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