《gary craig》

类型：战争 喜剧 恐怖 地区：加拿大 年份：2023 

主演：Clara Thomas 张钧然 安东尼·拉普 亨利·福特二世 

导演：杰森·霍尔 

更新：2024-12-18 14:29:56

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It has be□□ □ai□ that mos□ great □wentieth centu□y □ovels inclu□e sc□nes i□ a hotel, a symp□□□ of the vast upro□t□ng□t□at ha□ occurred □n the□las□ ce□tury□ Jam□s Ivor□ begin□ Quartet□□ith a monta□e of the h□tels of Mon□parnasse, a quiet prelude □efo□e □□r i□tr□d□ction to the v□olentl□ lost souls□who inhab□t th□m.　　A□a□ted from the 1928 autobiographical novel by J□□n Rhys,□Quartet □□ the stor□ of □ love q□adran□le □etwee□ a □omp□icated□y□ung □est □□d□□n woman named Marya (□layed b□ I□abel□e Adjani□□ her h□□band Ste□an (Anthony Higgins), a manipulative English art □atron named □eidler (A□an B□t□s), and□□is p□inte□ w□fe Lois (M□ggie S□ith).□The film is □et □n□the □olden Age□of Paris,□Hemingway's "□ov□able□feast&q□ot; o□ ca□e□culture □nd extrava□an□ nightlif□, □□itte□ a□d lit□□at□□ yet unde□neath is the outline of s□□et□ing sinister□beneath the polished□□rass□s□and brasse□i□s.　□When Marya&□39□s hus□a□d i□ put □n a Paris pr□son on cha□ge□ of selling □tolen art w□rks, □he i□□le□t ind□gen□ and i□ take□ in by Heidler and his wif□: □h□ predatory □ngli□hm□n (whos□ char□cter Rh□s bases□o□□the novelist For□□Madox Ford) □s□qu□ck □o take adva□tag□ o□ the new li□□ng arran□ement, a□d Marya fin□□ herself in a □tr□nglehold between hu□ba□d and w□fe.□Lo□er□□alternatel□ □□avi□ate t□ward□a□d are□repe□led by □ach other, n□w professi□g their love, □□w con□ess□ng their brutal in□i□ference □- all th□ while □eeping up ap□earances.□□he f□l□ explores □he □ast□terri□or□ be□ween th□ "nic□&q□□t; and t□e "good,"□b□t□een out□ar□ refi□ement □nd□inner □ar□ness: after one □iolent□□p□sode, Lois asks Ma□□a not to □□eak□□f i□ to the Paris crowd. □quot;Is □hat a□l□you&□39;re□□□rri□d □bout□&□□□t;□demand□ an □utra□ed Mar□a. □quot;Y□s□" L□is □eplies with icy□candor, "as□a ma□te□ of fact.□qu□t;□(🔏)　Adja□i □on□the Be□t Ac□re□s□award at Cannes for her per□ormances in Qu□rtet: her Ma□ya is a□volati□e comp□□nd o□ French sch□olgirl and □corn□d mistress,□veering bet□een□tremul□us joy□□nd□hyster□cal outburst. Smit□ shine□ in□on□ of her □ost memora□□e□roles:□she imbues □ois w□th□a Kathe□ine-o□-Ara□on impoten□ □ag□□ a□ hum□liated a□□sh□ i□ powerles□□in the face o□ □□r hu□band□#39;□ c□oices□ Her interactio□s□with Bat□□□ar□ scenes □rom a marriage that h□s moved from di□i□lusionmen□□to pale acceptance.　　Ru□h Prawer Jhabvala and J□mes Ivory's s□r□enplay uses □h□□'s no□e□ as a found□tion from which it constructs a wo□□d□that is both tru□□t□ the novel a□d□d□□tinctive in □t□ own □igh□, painting a so□ie□y that ha□□lost its inhib□□ions □nd ina□ver□ently□□o□□ its so□□□ □e a□e taken □o mirror□d□cafes,□the□ m□ve □hrough the lookin□ glass: Ma□ya, in o□e scene□ is offer□d a jo□ as□a□model and th□n□finds her□elf □□ a s□doma□ochisti□ pornog□ap□er'□□□studi□. Th□□□ilm, as □hotograph□d by□Pie□re□Lhomme, c□e□t□s thoroughly cine□atic □om□nts that□Rhy&□39□s □ovel could □ot have att□mpt□□□ □n □ne of the Ivory□;s most□memo□□□l□ □cen□s, a black American□cha□te□se (e□traordinarily played by A□□elia McQueen)□enterta□ns□□aris□an patrons with □ big and □ras□y □azz □ong,□neither subtl□ no□ elegant. Ivory kee□s t□e □amera on th□ sin□□r's act: th□re i□ something in h□r □nguarded s□ile □□at ma□□s the□danger be□eath M□□tp□rnasse manners se□m□more □□ute. ...详情