St□aub□Hu□l□et’s adap□ation of He□n□i□h B□□l’□ biti□g sat□re Bon□ □i□ry present□ the □ef□ections □f □ reacti□ated □ffice□ who is summon ed□□o th□□We□t German capital by the Minist□y of Defens□ □o establi□h□an Academ□ for□Military□Memor□es. □tra□□ c□ns□dered his film to be an in□□rvention□ag□inst German rearmament □n the□□dena□□r era: "□a□h□rka-□uff □s □he story of a □ape, th□ rape of a coun□ry □n□whic□□a□ □□my ha□□been □mpo□e□, a country which□would hav□ been□happier without one."□ In &q□ot□Macho□ka-Muff,&□uot; Mr□ Straub□ e□ploying the cold, □o□□wha□ expression□stic □ut always□loquac□ous approach of □□s ot□er films□ comes cl□sest to underlinin□ the almost□subli□i□al irony of□his t□em□s□ He bri□fly outlines, through□the perf□rmance of Colonel Machorka-Muff□ a form□r N□zi who is□□e□nst□ted in □he Ade□a□er regim□□ □he unchanging th□nking of th□□Nazi□and/or the militar□ mind. As the col□nel of the title, □r.□Jo□annes Ec□hardt□is□prop□rly co□d an□ con□□ncin□ a□ the belie□er in the rig□ts of □□e soldier. □lthoug□ □t is th□□shortest and e□rliest of Mr. Straub□#3□;□ films, i□ i□□□o□h the □o□t□luc□d o□ his w□rks a□d th□□most clearly in□ica□iv□ of his p□tentia□ □□ □n□ima□i□ative filmmak□r.又是看向金大毛金二毛,老(🌺)猴强忍着心(🕓)头不快道,“老大,老二,你们□也(□)往□站站,□□这□远干□么?□□有□□,我开□💓)饭店□怎么可能会没有酒呢□□)?你等着啊!我去把甘总的酒拿来,看□今天能喝多少。□说着,不等林梓懿反应急□逃离□包房□👟)。□户(🥖)...
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