《春娇救志明 在线粤语》

“他又捣鼓你去干什么？是不是准备叫你跟他搭伙去偷东西？别又让人给卖了？”

在小树人说话的时候，武书也是注意到，如今他的神识空间，偏向于淡金色。可是一想到，自己十万年的精神力力量，经过世界树的转化后，以后神识内即便不镇压夜魔老祖等，所能够动用的精神力也只有千年级。春娇救志明 在线粤语74銆佹睙瑗跨煶鍩?鏉庡皬鏉?瀵掔獥鑻﹁,绗斿簳椋庝簯娆ｆ姌妗? 閲戞棰樺悕,鑳镐腑姘旈瓌鏃╁啿澶€?75銆佹箹鍗楅喆闄?鏉庢壃 寰楁剰鏂囩珷,濡欑瑪鍗冭█楦ｉ笩鍑? 鐧昏崳姒滈,瀵掔獥鍗佽浇鍖栭奔榫欍€?76銆佹箹鍗?娈垫枃鍗?瀛︽捣鏃犳动,楦块箘

这名男子惊恐而起，他禁不住说道：“你、你是谁？这是什么地方？你想要做什么？”

Synopsis　　Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.　　Notes　　"A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea."　　A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as "a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation." Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.　　Afterword:　　- Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.