□- 金莲道□为了消灭□(🕴)己□恶念分身“黑莲”,将□块地书碎片分别□予了八个□,再加上持有地书九□□片的金莲道长自己,九个□组成了...□□p>□he fi□m accompanies□M□gaye□Niyang□ a s□ar of Touki-Bouki, a 1972 cla□si□ dire□□□□ by her □□n uncle□D□ibril Diop. Follo□ing t□is path,□w□□ar□ witness □f Niy□ng□travel to a special screening□of th□ □il□□□which □as a pu□lic release in h□s old t□wn. Ni□ang see□□ detached □nd with □ hea□y lon□□n□ fro□ the pas□, □□d□therefo□e, the□film debris per□eates□□verything wi□h un□scapable sorrow and f□s□in□tion. Diop film□is, first and for□most□ a n□stalgic travel thr□u□□□memory, □i□e□and recreation. It □s a□□o a wate□mark in□□onte□p□rary□experiment□l documentary, a very intima□e po□tr□it of a lost □□n□ j□□rney thr□ugh□the past that isn□t□r□turning any□ore,□a detachm□nt of□rejec□ed fame, rec□gniti□n and □□nnection which is he□vil□ grounded □n□a□□ega□y that belongs to□th□ pa□t,□and that con□□ct□ directly□t□ □ co□□□ry□(Senegal) and i□s h□rita□e,□which i□ som□t□me□ feel□□xcruciating fo□ the old□ones (a□tes□□mony such as the t□xi□s□□ne in the film, w□er□□the cab driver lon□s f□r cha□ges, a□d c□aims th□□ t□e old□□eneratio□ had d□ne n□t□ing for t□a□). Mille Solei□s □A □ho□sa□d Suns□ and, in it□elf, M□t□ Diop’s cr□cial t□len□, should be a point□of ref□rence into what coul□ e□sily be one □f □he□most in□eresting proposals of h□brid□docu□entary ci□ema wh□ch has □□me from Fr□nce, and□which de□ls with a str□□g □fric□n herita□e. Since 3□ Rhums,□□here□□he proved her actr□ss tal□nt, Diop □eems like□□ true pr□mise for t□□ following□years □f□□inema□□南、暴熊、地龙、胡峰等(🦉)人齐聚在了一起。
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