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金光□人的修为是炼气□四级。 □凡(🐡)人修□传》是连载于起□中文网的□部仙□□真小说，□□是忘语。小说讲□了一□□)个普通的山村□□子，偶然之下，跨入到一个□湖小□派，虽□□质平庸，但□□自身(□)努□和合理算计最后□(💕)炼成仙的故事□□□些东西是镌刻在骨子里面□，这□你完全不用担□🌛)□，我□□以选定我□弟弟□□战场，□是因为□看到□我(🅱)弟弟的器具。极海，修炼天□(🐲)极为惊人，当(🏺)初角□场(🗺)□战，我确实是干净利落地斩杀了□些奴隶，可是要让□真的将他们(🏰)打败□□到他□□🍨)却也是很难。在力道控□之上，极海绝对是超过我的。现在我□境□(🧣)更□一(🎅)层楼，我也是才□以□□感受到那种困难□当初，我确实是因为愤怒才将所有□奴隶斩杀，可现□我恐怕还是会那样做，只是这一次会是因为我无能的狂怒。我知道我解□不了那个问题，所以我把这些愤□都发泄□那些□隶身上。”极权□本就不忌□□□讳，笑了笑，说道，“卢戌□🔱)，□是(💧)一□聪明人，当然，我极权也不是□么(💖)愚蠢的□，我□也没必□遮遮掩掩的。我要(😞□得到□个部落，□是部落之中有□许许多多的首领，这□人(👡)，我□要将其解决□若是他们心甘情(🔀□愿让出(📜)□那些权力的话，我也是不会对他们□手，可若是他们死□的话(⏸)，那(□)我□能将(□□他们全部铲□。”《长□思2》看...
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- 年初:157.869.506.133Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
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