□光(🌴)上人的修□是炼气□□级。□□M□□t□□ (J□h□ A□plas□, a□y□ung man □ho□loo□s aroun□ 20-yea□□-ol□, boards a tr□□n i□ □ndia□apolis, Indiana for New Yor□. At ni□h□, he□□reaks into a sle□pi□g car□and seda□es a wo□an□with □ syringe full □f n□rcotic□. Sh□ strug□les, but □e□tells her not to str□gg□e or □e up□et□□ecause□sh□ wont feel pain. A□ter a few minutes, the woman falls asl□e□, and M□rtin□ha□ s□x w□th the un□□nscious woman. Aft□rwards, he slic□s her□□rists □ith a ra□□r bla□e so he can drink her b□o□d. The □o□□n □□ee□s to d□ath in he□ sleep. In□th□ □□rning, □he tr□in □top□ in Pittsburgh, Penn□ylva□□a where Mar□in disemba□ks.□□e is me□ by Tata Cuda (Lincoln Maazel)□an□e□derly □□d hostile old m□n□who claims□to be hi□ cousin □r□□ th□□Old Wor□d. Toget□er, they t□a□e□□by anot□er□train to□the□to□n □f Braddock, a dying indu□□r□□l sub□rb.□T□ey walk to Cuda□#□9;s large□h□use where he□□hows □art□n his l□□ing qua□ter□. Cuda □hen accus□s Martin of □eing an 84-□□ar-o□d va□pire □rom□h□s o□d c□untry. He has □aken in M□□tin beca□□e he □s fam□□y, but□□ells him, &q□ot;□□rst I □ill □ave yo□r soul. Then I □hall destro□ y□u.&quo□;□Martin d□nies being a va□pire and implies that□Cu□a is merely □is unc□□ rather □han□his cousin.□Cuda t□en puts u□□strings of garl□□ on t□□□do□rs to h□□ □nd hi□ gra□dd□ughter&□39;□ room□ a□d□□□en □□□ds□up □ s□all cross when M□rtin □pproach□s□him. Martin take□ awa□ □he□cro□s, and even ta□es a □ite of the□garl□c□m□cking the□e attempts by□saying bi□terl□, &□uot;There's n□ rea□ m□gic... ev□r&quo□;. Cuda t□lls Martin □ha□ h□ can come an□ g□ □s h□ pleas□s. □u□ he a□so warn□ M□rtin t□at h□ wi□l kill him if h□□k□lls an□one in Br□ddoc□. He also tells□Martin□t□ stay away from□h□s gran□daughter□□□ristine□(Chri□tine F□rre□t)□ who□ arrives h□□e from her□job□t□at evening. Cuda introduces □hris□ine to Martin, but also warns her □o stay away□from hi□. But C□□istine in□tead strikes up a □riendship with Mart□n who co□fides i□ h□r about his vampire herit□ge.□When C□da □□ter c□nfir□s Ma□tin's claim□ t□□be a □ampi□e, Christine, not su□prisingly,□refuses to beli□ve □i□h□r o□e. She thinks that Cuda and the□other □embers of h□r fam□ly have□driven Martin to i□□anity by□making□□□m □h□nk tha□□he is a vampire.□It□is □ever revealed if Martin□r□ally is a v□mpire, or just a □hy a□d□l□ne□□ y□u□h with trou□led iss□es. □hristine□is the□only p□rson that Martin gets the c□urage to talk to. Wh□n Chr□stine□#□9;s boy□r□end Arthur (Tom □avini□□□rrive□ a□ the h□use f□r din□□r□ Ma□ti□ stops talking an□ bac□s aw□y □espi□□ A□thur□□s attemp□ at a conversatio□. Christine □□ter confides in Mart□□ □hat she hopes to l□av□ B□addock some□ay with□□rt□ur, ev□n th□□gh Martin points out th□t A□t□ur tr□ats her badly and i□ both □erbally and physically□abus□v□□tow□rds her□ When Chri□tine □ees that Martin □on't ta□k□□o □ny□ne□else, sh□ buys him a phone□w□ic□ h□ installs in□□is room□ Ma□tin□begins □o□repeatingly call a radi□ talk show wher□ he describes w□at it□;s like to be a vampir□. He□b□comes kno□n □□□the radio □□ "□the Cou□□&□uot; t□ all t□e listeners. But the patronizi□g hos□ (Mi□□ael G□□ni□k)□t□inks he&□39;s ju□t cr□zy□ Marti□ gets a□job□at Cuda's gro□ery□st□r□□of □tocking shel□e□,□hau□ing□bo□es aroun□, and even □ets□□□ be a deliver□ bo□□for some of th□ cust□mers. One of his customers is□a cert□in Abby Santini □Elya□e Nadeau), who becom□s t□ken□i□ □ith Martin. She is□a very frien□l□ youn□□woman who □s depressed when she t□lls Ma□t□n that□h□r husband is unfai□□ful□□But□Mart□n □t□□l do□□ not ha□e the□nerv□□t□□t□□k w□th her, so s□e is hap□□ t□ have□someone to confide in □i□h her li□□ problems. Martin p□ones t□e radi□ show host to descr□be h□s infatua□ion with t□e□housewi□e and sen□e□ that she wants to□have□□ex wi□h h□m□ Wh□n□the ra□i□ show host asks Ma□□in□if it i□ a sexual problem that he ha□□involv□ng □o□en criticizing □i□ during sex□ Mart□n replies that he has ne□e□ □□d sex with a□woman who was aw□ke□ O□e d□y, □artin trav□ls by tr□in to out□□de Bradd□ck to lo□□□for vi□tims. At a su□ermarket,□□e□follo□s a□y□ung□w□man (Sar□□□V□nable) hom□ □o her □osh suburba□ house. H□ se□s th□ woma□'s husband □Ri□hard Rubens□□in) leave for a□□on□ busi□ess trip,□an□ Ma□□in d□ci□es□th□s woul□ be □he rig□t t□me f□r mor□□fe□di□g.□□artin re□urn□ to □he house □fte□ d□r□ an□ b□eaks □n through □he garage d□□r. But i□ □□ Marti□ who gets the surpris□□when he burst□ into he□□bedroo□□□o fi□d her □n bed □i□h her □dul□erou□ l□ve□ □ew□s (Al□Levitsky□. After □ □icio□s str□ggle, M□rtin□jabs both of them □ith hyprodermi□ n□edles□□ith narc□ti□s□ an□ wa□ts for□t□e dr□gs t□ □□ke affect.□□□ drag□ the u□□onsci□us body of Le□i□ from the h□use to a clump of□trees ac□oss the street w□e□e□□e k□lls him by shovi□g a broke□ tre□ bra□ch into □is □eck and drinks his □lood. □ar□in retur□s t□ □he□house whe□e he has □ex with th□ □nconsc□ous w□man. B□t□out□of com□□□□□□n and pi□y□ he □□ci□es to□let her □□v□□ □arti□ begins to □□v□ r□m□ntic □on□ch□□me vi□ions of his vampir□ □□□t (real or imagined), □here□he d□ained b□oo□ fr□m a y□ung □oman and wa□ c□ased□through the stre□ts of a namele□s Europ□□□□town by a torch-lit mob. Duri□g on□ Sunday a□ church, C□da brin□s home Father□How□rd (George A□ Romer□) who asks him abou□ the□po□sibil□ty of exorcism and□dem□n possession.□Fat□er Howard calls upo□ □□e elderly F□□he□ Zule□ans (□lifford Forrest, Jr.) over at Cuda□#39;s r□□uest. Together, C□da and Zulemans conf□ont Martin his □□droom □nd □□□empt to perform □n exorcism □n him□ At this □□int, Mar□in remembers (a□other real or imaginary flashb□ck□, in the□O□d Cou□t□y □f peo□l□ trying to perform an exorc□sm on h□m, and□he flee□ them. Martin t□en flees f□om □uda an□□Zu□lmas □s□well. □ little later tha□ n□ght, □artin terr□rizes Cu□a □n a□c□ildr□n□9;s playg□ound when □e puts on a□Drac□la□cape□□nd p□ts fal□e□fangs into his mouth to□pret□nd that h□ re□lly is□a□□a□p□□e. □O□e day, Ma□tin finall□□musters the co□ra□e to talk □i□h□Mrs.□Santini d□ri□g□a routi□e d□liv□ry to □er house where□he tells her that he's□aware of □er □□temp□s to seduce hi□ and□wants now □o□have sex□□ith h□r□ After having □ex for □he first time, Mrs. Santini □e□o□es more □epr□ssed for s□e tell□□M□r□in tha□ he□ h□sband□□ust left he□ beca□se she di□□□vered t□at she□can□□t □ear ch□□dr□n, an□ that her de□□res t□ward□ him are bas□d □n s□x and n□th□□g else□ But Martin wants to s□□y with her □nd help her move on with her lif□.□Martin tells the radio show hos□ about his affa□r□with □he hous□wife □nd □hat he no l□nger □a□ the□urg□ □o a□t□ck other wom□n. □Me□□while, Arthur m□ets□w□□h□Cuda and tells h□m that h□ wants C□ri□ti□e to leave t□□□ wit□ him so they ca□ ge□ married and start □ fa□ily□□B□t □hri□t□□e becomes □ngry □t□Cuda wh□n he t□lls Arth□r th□t i□s□n□ty run□ in their fami□y □□d□□e □hould□□;t □onsider hav□ng children with her. S□o□tly after□ard□, Chris□ine packs up and□lea□es Br□ddock for □ew York with Art□ur des□ite □artin t□lling her that□Arthur is a□□siv□ towards h□r□□But□her mind □s made up□ Befor□ leaving, Ch□i□ti□e□tel□s Ma□tin tha□□she really□has n□ ill□f□eli□gs t□wards□him and just □ants to make a fr□sh start w□th □□r lif□.□She says g□o□by□ to□him and pr□mise□ to write. But Martin know□ that wi□h an ab□sive a□d□□□ss□□si□e□man □n Christ□ne&□39;s □if□□ she proba□ly won't. □De□r□□□ed ov□r □osi□□ his one t□ue fri□n□, Ma□tin phones the radi□ show ho□t □□□□tel□s h□m□t□at he's g□tting "□ha□□&qu□t; a□□ □an□s to go out l□□□ing for more victims. Tha□ □ig□t□ □artin trav□ls to □ rough crime□ridden are□ o□ Pitt□burg□ a□d a□tacks□two dere□icts in a alley,□inje□ti□□ them□with narc□t□cs. □e kills one of them□b□ silting th□ bu□&□39;s wrist and drinki□g □is□blo□d□ Martin i□ abo□t to□k□ll the second one when a poli□e car□s□□□s up and g□ves chas□.□□art□n narrowly esc□pes d□ring a□lo□□□chase on □oo□ which□leads fro□ t□e□gar□age□str□w st□e□ts and th□o□gh a local stor□.□□□rti□□r□ns into an o□d ware□ouse where a □rug dea□ i□ going dow□□ A □hooto□t between the □□o□c□ps an□ the three □hugs begins where □ll□of them are□killed, lea□□ng Martin as the sole survivor□who□cas□a□ly □al□s away from the carnage.□ On□ day, Martin□□□nds Mrs. Sant□ni dead in h□r □athtu□, after sh□ h□d □lit□h□□ writs wi□h a razo□ bl□de. Martin anonymously □alls the p□□ice t□□r□port□the body and□leav□s. H□□phone□ the□radio show □o□t one final time t□ say tha□ he re□ll□ d□□sn□9;t need□fri□nds or peo□le to ta□k to f□r h□□is□his own person. But when□□uda lea□n□□ab□ut Mr□. S□ntini'□s suic□de, □s mis□a□e□ly thinks □artin kill□□ her and made i□ lo□k li□e □ sui□ide□as □□'s done bef□re. □u□□ w□lks i□to Marti□□;s ro□m □h□l□ he is asle□p and□k□ll□ □im by hammering a wooden stake through Martin's□he□rt. Cuda burie□ M□rtin's body in h□s b□ck garden, w□ile over t□e clo□ing c□e□its □ar□ou□ voices fr□m people□ar□ heard tal□ing t□ the□radio □how host askin□ the □hereabouts□□f "the Count"□"嗷!!"(🔤)长枪的闪光通□□□,传奇维□人□雄□克托□手臂被刺穿一个大洞!但是维京人也瞬间反应过□,反手一剑,直劈向□刚落地的□士□脑门! 以下是几本□于部□题材□穿越小说推荐:□佣兵的战(⏱)争□、《最强狂(🖍)兵□、《抗日之(🍂)铁血兵魂》□《□日□草根英雄》、《抗日之特种兵降临(🔟)》、(❌)《逆(😝□世□兵》、□抗日之神枪手》、《抗战□(🥅)从(🌼)亮剑□始打卡》、《我的抗日大.□.
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