《科学怪人技能》

"The Witch Burnt Alive"　　After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous.　　"Community Spirit"　　Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through.　　"The Earth Seen from the Moon"　　The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific.　　"The Sicilian"　　Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories.　　"A Night Like Any Other"　　Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.

警校学生殷浩（张一山 饰）和自己的女朋友——电影编导系学生小暖（丁丁 饰）为完成小暖的毕业作品登上了隔离岛拍摄纪录片。殷浩在拍摄纪录片之外，还有自己的小心思，他希望与小暖在岛上进一步巩固恋人关系。二人在岛上偶遇了大商人丁子楚，丁子楚为寻找失踪的女儿娜娜来到岛上却意外丧命，三十年前的大火，让众人都卷入了一场漩涡之中。殷浩发挥警校学生的特长探案追凶，而小暖拍摄的纪录片也成为了殷浩搜寻真相的重要证据。命案在岛上接连发生，小暖也陷入危机，殷浩探明真相后为爱勇闯险境成功救出小暖，二人感情升温的同时，也交出了真正的毕业作品，完成了一次成长的蜕变。 科学怪人技能周雅雯很长一段时间独自在医院里呆着，当然，身边少不了高慕尚为她请的陪护。他可不不会傻到把自己锁定在周雅雯的身边。

“好，我念你写。我叶征，长年效力于左将军童济年之子童玉，因长年受商氏指使，捕杀晋氏后人和旧属，罪孽深重。今日痛悔前非，愿意为晋氏王族后人晋城效力，推翻商氏，至死不渝。重建晋氏王朝之后，吾将受王命任上将军，光宗耀祖，何其幸哉。有违此誓，我童家全家不得好死，坠入十八层地狱。”

说完，郑凌霄也不啰嗦，大笑着，朝那扑下来的雷龙冲了过去，一哥也没有多话，同样哈哈大笑，落后前者一个身位，朝着雷龙的侧面杀去，与前面的雷蛟相同，就在距离小少年十米的时候，雷龙也同样地张开大嘴，吐出了一道水缸粗的闪电朝他攻击了过去，那闪电虽然看起来与先前雷蛟所吐出来的差不多，然而，直面其锋芒的郑凌霄却是感觉到了其中巨大的差别，小家伙没有托大，一下子就施放出了完整的剑意，嘹亮的剑鸣声在空中回荡，他整个人都与剑融合成了一体，化作一道细小的剑芒如同一只怒冲云霄的海燕一般直刺苍穹！刺啦~~~~一连串的电弧声响起，那一道细小的剑芒刺破了闪电，以迅雷不及掩耳之势冲入了雷龙那大张的巨口之中，人们也就只能听到其中传出的呲呲啦啦的电弧跳动的声音，从外面也可以看到，就在小家伙冲进去的那一刻，雷龙做出了仰天咆哮的姿势，而它那庞大的身躯也紧跟着顿了一下。