□《诡秘之主》中,阿蒙的标志□特征是□眼戴着□片眼(🏎□镜。他凭借此形象给读者留下了深(□)刻的印象□其出场必备的“□(🧗)眼□单片眼镜”更□成为□少读□“□摇过市”的标志性语句之一□□c□ording□to G□org□o Va□ari, the firs□ art historian□□the □enaissance □as□□en□red on □ rev□val of i□ter□st in class□cal art that□began an□ flourish□d i□ □taly. Wal□emar disag□ees□ and□a□cuses□Vasari o□□errant j□ngoism□ In fa□□, th□□most significant□□arl□ developme□ts in Rena□ss□nce art took pla□e not in Italy,□but□in the ‘barbarian’ lan□s□o□ F□anders and Ger□an□□ Instead of understand□ng □h□ Ren□is□an□e as a r□t□rn to class□cal m□□els□ □e should see it□as a clim□x of□□ed□eval□val□es - an epoch of huge□reli□ious pa□sion□ and p□□e□ful human□emotions□ □he series w□ll celebrat□ □ateri□l□that □s new to telev□sion. W□ldemar will include art□□hat i□ not usu□lly thought of□as□Re□aissance□art□ T□□s will □□volve &□□9;re-classifying' □□at is som□times □alled La□□ Go□□□c, and sh□wing□it of□ as a ma□v□llo□s and □ative a□□is□ic □radi□ion,□p□rticu□ar□y□□n□the rema□k□b□□ f□e□d of polychrom□ □culpture.□On□top of all the □ew art to be in□roduced, W□ldemar □ill a□so □□ok from fresh an□ int□iguing angles □□ □any □f the esta□lished□Re□a□ssanc□ giants,□incl□ding Michel□ngelo in □he Vatic□n, Leonardo in the Louvre, Bottice□li □n t□e Uffizi□and Van Eyck in □h□□t.□
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