《focus是什么牌子》

类型：恐怖 剧情 其它 地区：加拿大 年份：2018 

主演：신용우 刘连钧 阿里尔·沃勒 约翰·斯坦顿 

导演：大塚龙治 

更新：2024-12-15 08:08:22

简介：- 苏...

雷克萨□在□上一阵乱摸，□于摸到了自己的衣□，可上面全□大大□小的破洞。这一次，□鸠可是□怒了□今天发生的□切，□在是□他憋(🐎)□。"“飞行斗篷！□王□儿苦恼一笑□□即重□□💃)的(🌡)点了一□头□🍪)。Mi□d□e class student□Bob □etellier□e□ters a new □orld when□he□meets A□ain, a□free-t□inking r□bel who, along with his g□oup of young □arisians, □as opted for □ l□fe of□instant gra□ificat□on instead□□f wor□ □nd co□m□t□ent□ At a party, Bob meets a young woman, Mic, who appears to be□just as carefree and cynical as □lain□ Mic'□s□□□l□ dream is to own a □uxury car, and with □ob's help□ she manage□ to □ind th□ □□ne□ to b□t i□.□□i□&□39;s □ri□□□ Clo discovers she is pregn□nt and, n□t knowing who the fath□r □s□ s□□ asks Bob to marry□her.□Whe□ they n□xt meet at□a □ar□y□ Bob □□d Mic□deny that □hey ha□e any fee□□ngs f□r on□□another □ □ d□□lara□□on th□t soon□leads to□tragedy...　　　　Marcel Carné is □idely regarded as one □f □h□ standard bearers □f French quality ci□ema of t□e 1930s and 1940s, r□sponsible □□□ s□ch□m□s□erpieces a□ Quai des□□□umes □1938) and Les□Enfant□ du Parad□s □1□45). How iron□c then□that, in 1958,□towards□the end □f□□is f□lm-mak□□□ c□reer, he should make a f□lm which dared□to p□rtray th□ attit□de□ an□ beha□io□r o□ th□ 195□□ youth□ in □□way□that effect□vely c□ptures the mood and se□timent of th□ time.　　　　L□s Tricheurs w□s a□hugely contro□er□i□l film,□□o□ l□ast b□cause o□ its b□atant depi□ti□n□of adol□scent free-love, and was □ven□□□n□ed in □□m□ regi□ns of Fr□nce.□□□□□□s□ receive□ □o□e □nt□ns□ly unfavo□rable reviews, mo□□ nota□ly from th□ you□g□ho□heads o□□the Cahiers du cinéma such □s Franço□s □ru□faut who ci□e□ □his film a□□a □r□me e□□mple of the decline of □rench cin□ma into me□□□crit□. In spite of all □h□s neg□tive pre□s, □h□ □ilm □ro□□d □o b□□an astonish□n□ □ommerc□al s□cc□ss, at□racting□f□ve million cin□□a□goer□, □nd was aw□rde□ the□Grand Prix du C□néma français in 19□8.　　　　W□ilst□Les Tricheurs i□ not □s f□awles□ □s □arn□□#3□□s□ear□ier mast□rpieces, it□is nonetheless a si□nific□nt work,□havi□g the □ower to both sh□□k□and m□ve □ts audience, whil□t ha□ing great entertainment□value. It evoke□ the moo□ of its□time in a□way□th□t few□French□f□lm□ o□ this□peri□□ did□ d□pic□i□g young pe□p□e as pleas□re-seeking □e□e□s,□r□je□ting the□auster□t□ and discip□ine □□ th□ pre□i□u□□generation whilst pursuing a life without ca□e□□ responsibilities□or love. Similaritie□ with □am□s Dean's fi□ms of □h□ 1950s (most □otabl□ Rebel□without a Cause) □re apparent, althoug□□C□rné's treatme□t of young □eople is far more□abs□ract - in hi□□□ilm the□ merely □□mbolise a world t□at has lost i□s w□□, more o□ les□ victims o□□post-□□r pr□sperity. Although the young p□o□le in □es Tricheurs lack□the a□thenti□ity to be t□□all□ c□edible, the film□d□e□ make □n import□□t, an□ indee□ quite distu□b□□□ poi□□, about wher□ the pe□□is□ive s□ci□ty may be □ead□ng.　　　　M□ch of□the □□easure□of □□e □□lm i□ in the p□□□ormances □rom□its□□our le□d actors, Jacques C□ar□□e□, P□scal□ Peti□, Laure□□□Terzieff and Andr□a Pari□y□ a□t□o□gh□□nl□ Terzie□f is□really conv□n□ing in h□s role. Marce□ Car□□□o□i□i□all□ considered A□ain Delon and Jean-P□ul Belmondo□f□r □he par□s□□□ Bob □nd Alai□ respecti□e□y, □efore□opting □□r Charrier and □e□zieff. As a consolation, Ca□né offe□ed Bel□ondo□a sma□ler part□in th□ fil□ -□alas □oo sma□l□for t□e acto□ t□□be □oti□ed□□y□the publ□□. Belmondo's break□hrough had to wai□ until the fol□owing y□ar when □e□starr□□□in Je□n-Lu□ □odard&#□□;s re□o□ut□onary A bout de souffle, □ f□lm□which offers a v□ry differen□ pe□s□ec□ive □f the youth generation.“要□就怪你在不合适的时间□进火□山，□一让你(🚀)运□爆棚拿了神源，我(🚬)□岂不是亏大了□□他嘀咕道□□这句□说得□音不大，□天命没听(🛂)到。 ...详情