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在《诡秘之□》中，阿蒙是隐秘组织“塔罗会”的成员之一，□是“偷盗者”□□的天使□占有□夜女神(🗨□分□“□亮(□)”的权柄□他初次登□于“塔罗会”第□个聚会中，戴着□片眼镜，穿(💮)黑色(□)燕□服，有着小□□的(🚻)肤色□□黄色□.□□/p>Fra□k Lloyd Wri□ht is Am□ric□'s greatest-ev□r architect.□How□□er□ f□w□people know about t□e Welsh roots that □haped his life□and world-□a□ous b□i□din□s. N□w,□lea□ing Welsh architect Jon□□ha□ Ad□ms sets off□□□ross□□merica □o explore Frank Lloyd Wright□#3□;s masterpieces f□r himself. Along the w□y, he □□covers the□□empes□uous life st□ry □f the man behind th□□ □n□ the s□□n□ficance of his radical f□mily background. In□a c□reer sp□n□ing seven□d□□ades□ □rank Lloyd Wr□gh□ □uilt □ver □0□ bu□□dings, □nd chang□d□the fa□e□of mode□□ architect□re: Falling□ater, the house over the wat□rfall□□ha□ b□□□ □alled the greatest house of the □□t□ cen□ury; th□ spir□lli□□ Guggenhe□□ Muse□□ in New York reinvented t□e a□t m□□eum; the con□re□e U□ity Tem□l□ was th□ first □rul□ □ode□n build□ng in t□e□w□rld. □ut th□ und□□lyin□ ph□losophy that li□□s all Wright'□ b□□□□ings is a□ important □s anyth□ng h□ built. Those idea□ we□e rooted in the Un□tarian religi□n of □rank□Lloyd□Wr□□□t&#□9□□□mother□ Ann□ Lloyd Jones w□□ b□□n and □ais□d near□Llan□ysu□ in wes□ W□l□s□□nd m□grated to □m□ri□a with□her□fami□y in 1844□ most li□□□y to e□cape religious persecu□ion□ □□□ son, Frank,□wa□ rai□□d in a □ni□ari□□ community i□ Wis□onsin,□a small p□e□e of Wales i□□A□erica. The val□es he absorbed there we□e based on the sanc□ity of na□ure□ the importance of ha□d work, an□ th□ ne□d□to question convention and defy i□ where necess□ry. W□ight's ar□hitecture was s□aped b□□ and expre□se□, these beliefs. Frank Lloyd Wri□h□ □□t o□□ to □reat□ a new □mer□can architecture for a new□cou□tr□. He □uilt his own lifelong home in the valley he□was r□□sed □n, an□ □e named it □fter a□ ancient Welsh b□rd c□lled □a□ie□in. It w□s□the □□ene□□f□many □d□□ntu□es - a□d a horrif□c□□rim□. □□ 1914□ a serv□□t at T□liesin □an a□□k□and □illed□seven people i□cludin□ Wrig□t's pa□tne□, Ma□ah Cheney, and □er two young children. □🅾)□W□igh□ rebuilt h□s □□me and went on to ma□r□□a□Mon□e□egrin woman□ Olgiv□nna□M□la□of□, some 30□years younger than □i□.□It □as Olgi□anna who □truc□ upon the□i□ea□that□sav□d Wright's□caree□□afte□ t□e Wa□l□S□reet Crash and person□l □candal l□id □t low. □he deci□□d th□t her husband should □ake on appre□tic□s□and that the□appr□nti□e□□should p□y □or□□□e privilege. The Taliesin Fe□lowship had□a ha□ds-on □pproach, with appren□ices often bui□□i□g extensions to□Wr□ght's o□n□houses□□□□bour□ng□and cooking for h□m. Somehow i□ work□d,□las□ing□for de□a□es and n□r□uri□g hundre□s □f young talents. Fra□k Llo□d Wrig□t□died in 1□59 □g□d 91□wh□le□work□ng on□□is □ina□ □ast□rpiece□□New Y□rk's in□□mpa□□ble Guggenheim Museum□□He ha□□bee□ born□in the wake of the American civil war□ the son□of□a p□onee□, and d□ed □ television□□eleb□ity, i□ t□e space age. He □s b□ried □□□□he shadow of T□liesin, □longs□de his W□lsh□an□□stors. A 150 yea□s aft□r□□is birth,□Jo□athan□Adams □rg□e□ that□□rank Lloyd□Wright is now a vitally important figur□□who can□tea□h us ho□ to bu□ld□fo□ a better □o□ld.□Wright b□lieved i□ what he ca□led organic arc□ite□□ure; b□ild□ngs that g□ace□the la□dscape, ex□ress an□idea of how to live and re□pond□to□individual □eeds□ □□□s bes□oke a□pr□a□h - a □hilosophy, not a style -□pu□s him at□the heart □□ □od□rn arch□t□ctura□ think□ng.监护(□)人死后，□有后天多动秽语综合□□□兰克被迫开始面对真实的人生□□护人的女(□)儿发现□消极的情绪后，决定让他加入自己的毕业旅□。以「宠物(😶)沟通师」为背景，□起所有故□□并带(🗄)有□些悬疑色彩，是透(🆗)过宠物□角的□读(♎)，探讨□性与家庭关系的疗愈系戏剧。□
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