《古剑奇谭第1部》

宾克蓝道是一个平凡的邻家少年，因为一场奇异的梦境而改变了他和另外两名少男（伍夫甘格、伍德斯）的一生、三名少年对外太空皆存有幻想与探险的渴望。当他们正在自家后院中著手探险的筹备工作时，一场出奇不意的事件就此展开，因为在遥远深邃的外太空中有个人早在那儿呼唤著，等待著他们...

郑凌霄没有回头，继续观察着远处，淡淡的道：“你可看好了，这种规模的战斗就算是多了我们两个也没有什么意义，而且，我们宗门的人也没有吃什么亏，所以，我们倒不如躲起来观察一下，他们究竟是为了什么在争斗，而且还是不死不休的那种，我们如果能趁乱得到那东西的话，那才是最有意义的事情。”古剑奇谭第1部随着他的话音落下，其中有几名大汉直接朝着那些人扑了过去，顿时尖叫声，咒骂声响起，可是，令一哥感到奇怪的是，他竟然没有听到反抗的声音，只不过片刻间，天意盟的十来人被杀了个干净，那名叫做“狼叔”的白发老者也将那株剑意草给收了起来。

导演迈克尔·哈内克凭借本片再度勇夺金棕榈大奖。　　本片的两位老戏骨分别是威尼斯影后和戛纳柏林双料影帝。　　Anne（埃玛妞·丽娃 Emmanuelle Riva 饰）和Georges（让-路易斯·特林提格南特 Jean-Louis Trintignant 饰）这对老夫妻已经 80多岁了，他们都是退休的，有教养的音乐教师。他们的女儿Eva（伊莎贝尔·于佩尔 Isabelle Huppert 饰）也是一个音乐工作者，目前生活在国外。可是有一天，Anne突然中风，随后偏瘫，卧床不起。而正是从这一天开始，她和乔治斯的爱情，在某种程度上开始了考验......

In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.　　imdb comment