《我愿意完整版》

"刘惔叫住王质，道：“王质，等等！我吃好了。来□来！”住院□生朴诗温（朱元 □）童年时在家□中生□，同时患□自闭症和发育障□，□□日后却凭超人的□🐎)人体空间□悟力□记□□😸)力成为韩国成元□学医□最□湛的儿科医生。他一直喜欢着漂亮□智的女□生车允书（文彩元 饰），□□暗恋多年一直未表白。小□外(🤤)科副教授金道韩（朱相□ 饰）是年纪最轻就□得资(🕯)格认证的实力派(🤳)□□对医术精益求精，不容本□医生出半点(□)差错，哪□□方是德□望重的前辈□□都□视同□。面□□□🔴)多□导□他都□□离开环境恶劣的(🤸)小儿□，□为他心中藏□童年永远(💚)□不去的痛。企划室长俞彩京（金敏□□饰□(📺)是美(😅)国斯坦福大学的海归，□似无(🧗□□畏惧□她內(🗝)心却有着幼□母□去世□父亲再婚带来□伤痛记忆......□高中生寿梨□🚤)（成海璃子 饰）与花田日南子的相识□□小学时代，日南□曾经是班(🐿)级中□受□瞩□的开朗少女，然□因为□能处□好□□)同集体的关系，日南子变(❓)成了同(📅)□们争相欺□□对象。□梨□和□□子的独□中，听闻□□诉说昔□那个□朗的自己才是真我，□如今压抑的自己只是伪我。□眼几年过去，□梨经历□父母离异□👡□、□澜不惊的升学等等境遇，直到因同学的对□□□新回忆起□年的日南子□已□是文学社一员的寿梨开(□)始用短信联系日南子□并以(🐯□对方为主角□构一□列□信□□，而仍然活□❇)在伪我中的日南□□在□(🚁)梨□故(😶□事启发下，逐□找回了□个开□的自我，但是，寿梨自(🆕)身，□陷□了□境当中……Out of □he fifties □□□□;B' □cience-Fiction mo□ster m□v□es□ this easi□y r□n□s as the □est.□It's most notable as□t□□ □i□m th□t ALIEN is an un□ccred□t□d remake o□, thus giv□ng it a c□r□ain his□o□ic□l si□nificanc□.　　The in□riguing □lot is about th□ rescue of the only □□roon□d□surv□vor (□ol. Ca□□uthers)□of an ill-fate□ ex□edition t□ Mars. The a□tho□ities, pig-he□ded a□ □sua□, fa□sel□ ass□me that □e □urdered his fellow c□ew□members, so that he□#3□;d have more provi□i□ns □□ survive;□hence□□e is being □rought back to Ear□h to f□ce□c□urt-ma□tial for murder□ (There□is al□o a some□□□□ i□□er□sting plot reversal here:□□o□t□mo□ies□of this natu□e usually b□gin wit□□the shi□ leaving E□rt□□ enro□te □□ □ts □therworld destin□tion, whi□e, i□ □his c□se□ t□e &□uot;s□o□y&□uot; is bel□□ved finished, and □eg□ns as the cha□acter□ take□off f□om □he other p□a□□t□ returnin□ to□□art□). As the rescue shi□ □s leaving Mars,□a lurk□ng, om□nous □hadow is seen i□ the lower co□partm□n□. (A fr□ghtenin□, atm□spheric m□ment, □cco□plishe□ throu□h s□□er econom□ and simpl□city).　　Carru□her□ □n□ists of his in□ocence□□o his fellow□capt□rs, claim□ng that his origina□ c□ew mates wer□ slaugh□ered □y a hosti□□,□unse□n presence □n the□□esolute□red planet□ but □hree-gu□sses □s to their□r□□c□ion □o□his u□usua□□p□ea. Naturally, he□can&□□9□t prove□it, and 50's space autho□i□ies□we□e not very al□□n cons□ienc□ at the□□□me. □□s a side-th□ugh□, &qu□t;u□see□ menace&□u□t;□□ay□rem□nd you of that highly "□or□ginal"□BLAI□ WIT□H).　　As□eve□yone sac□□ o□t, a□□aples□ su□porting charact□r whose□na□e is □t the□bottom of □he c□sting l□st (guess wha□ w□ll □appen to him?□ hears some□h□ng in the lowe□□□ompartment.□Des□i□□ □our futile "don□;t g□ d□wn there, you jerk!&q□□t□ pleas, h□ does just tha□□ and i□ appr□priately kill□□ (mor□ like t□or□□gh□□ ob□iterat□d)□b□□the sha□owy f□g□re□with insati□ble b□oo□ lust□on its mind. In the victim's c□se, □erelicti□n of duty and s□eer co□ar□liness w□uld have □een□the □is□ □ecision. T□e scene□is actually □ell-di□ec□□d (for□a change) and□□evelop□ much suspe□s□, as the entir□ film sur□risin□ly □oes.□　T□□ crew finally catch□□ on□□hat they have□an unwa□ted ship crasher o□ b□□r□, and try□□□□□y poss□bl□□m□□ns at □heir dispos□l to eli□□nate it, □u□ the □nknown c□□□tur□ □eems t□ copp□n□□an ant□-□eath□a□□it□de. Provin□ to □e a□ e□en mo□e c□ever, wor□hy adversary, '□IT□&#□9; a□□o h□des□o□t in the□v□ntilati□□ s□a□ts□□f □he s□ip (now t□at□should r□ng a □ell)□ Cahn□#39;s fo□ce□ul direction □enerat□□ considerable tensi□n □s the □a□evolen□ sto□away work□ it□ □a□ □p from o□e□lev□l□of the confined ship t□ t□e next, eventually le□vin□□t□□ remai□ing □h□r□cters trapped at th□ t□p. Th□ movie&#□9;s suspense□is blu□□□a□d right to the point: "□IT□' has □o kill them □r starve,□□e□ce they□have to kill &□□ot;IT!" o□ □ie. □oth□ng□l□k□ t□ose &qu□t;no two w□ys a□out it" choices□ Rent i□□ or ch□ck for □t on□cable □f yo□ w□sh to know th□ outcome.□　For a lo□-budget quick□e, I□! is quite impr□ssive and □emor□ble. □he dreaded sen□e of claustrophobic t□nsion, rendering □h□ □hara□ters' helpless e□trapment, □s hi□hly effective. This□is a produc□ion in□which the lim□ted budg□t □nd small set□ a□t□al□y wo□k in favor o□ the plot□□s□scary am□i□nce. The black □amp; wh□te pho□ograph□ (□es□ it□;s □□□ of th□se!) he□ps to □n□ance i□s dark, creep□ moo□, and the s□n□e□of appreh□n□i□□ is□quite h□gh.□(Modern day co□o□ fr□aks ne□er seem to tak□ that □nto consi□e□ation). The p□ot is also s□me□ha□ cyn□cally ironic: If□the □r□ature h□d□□#39;t stowed□awa□ o□ the ship□ □ar□u□hers would have most likely b□e□ found guilt□ of th□□charg□s □g□inst him.　　(🎅□The intelligent scri□t (se□□wh□t □□mean □bo□t "rareity&□uot;□ □as□penned□by noted Science□F□□ti□n auth□r Jero□□ □ixby□(rememb□r T□ilight□Zone's□&quo□;I□&#□9;s □ Good □ife&□uot□)□ T□e pict□re's tau□ edi□in□ □limina□es any □□tra□eous □□oss. □AL□EN te□□e□ to drag i□ it□ first□hour with its sophomoric dialogue□ and why did□it have to includ□□t□□□ s□upid and ultimate□□ cou□ter-□roductive□su□-plot □f Ash b□ing a robot,□□nd further□□ragging the story down to another big bad conspirac□ c□iche? UNNECESSAR□□!!)　　D□recto□ Ca□n □s□□tely keeps the rub□er□suited monster □ff-scre□□□and□in□th□ shado□s throu□h-ou□ most o□□the p□o□eedings, k□eping your p□□anoid imagina□□on on c□nstant alert. U□f□rtunately, perh□ps at the studio's comm□rcial insistance, i□ is a little over-revealed at the cli□a□, but I h□ven't claimed□this to be the perfect □□sterpie□□. □he pe□f□rmances, though nothing awa□d-winn□ng, are n□verth□□ess c□ol eno□gh so that one become□ sinc□rely co□ce□n□d □□□to t□ei□ fa□es.□N□t man□□movies in□r□cent□ti□es □ver come close to achieving that. □h□y c□n be over-prod□ced□from here to eternity, a□d usual□y only□□□cce□d in being gloriously annoying.　　□□is□film□□39;s stor□ is□□ot real□y totally original (what is?), fo□ i□ is b□se□ o□ □.E. Van Vogt'□s &q□ot;VOYAGE OF THE S□ACE BE□GLE." All ALIEN□fa□ati□s□should track d□wn an old u□ed copy to se□ where the initial influence came □rom.　　As long a□ □□□&□39□re□not cravi□g another □G□ wind□□ing, you may □ind i□ w□rthwhile. J□st don't ex□ect the w□men to b□ Ripley pre□urs□□s□ Th□s was □t□ll th□ sock-knitt□ng fift□es, □ad t□□say.他也曾考虑□焚尸□灰□法子，但□样做总归有灰留下，虽说□方世界没有(🗜)检测DNA这说法，但就怕有哪个奇奇怪怪□大□，具□这种辨识骨灰的能力。

古河□□韵□□没有□📀□□一□。

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