《小爸爸30集感人片段》

Sidd□rtha (Dhri□iman Chatte□j□e) is forced to d□sco□□inue□his□□ed□cal st□d□es due to u□□xpecte□ and br□tal dea□h□of hi□ father.□He has□to now fin□ a□□o□ □n □tead□ In one job intervi□w□□he is □ske□ to name the most significant wor□d□event in th□ la□t ten years□ His reply is 'the □lai□ human courage □hown □y the□□e□ple□of Vietnam□#39□, i□stead o□ t□e□expected - man la□d□ng on moon□ The interviewe□ asks□is he□i□ a□co□munist. Needl□s to say □hat □□ doe□ not g□t the job.　□He rea□he□ a co□fe□ shop where h□ is□of□er□d to wor□□for t□e communist□party. Whe□□he does □ot sho□ □□y interest the □□rt□ leader□□ells him about an□openin□ for □ m□□ica□ representative.□T□ esca□e from the heat and □ave a snooze, he goes in to a ci□ema□ As a gov□rnment propa□and□ □□wsreel □□ b□□ng shown bef□re th□ feature, a bo□b ex□□ode□ in □□e cinema hal□. □n the stampede□t□at □□llo□s, S□ddart□□□ breaks his□watch.□He goes□to a w□tch□aker □ut he□cann□t afford the repai□s.　　Wait□ng t□□cross the road, he □otice□□□ sex□ gir□. He □rifts□back□to hi□ days□□s a medica□ stu□e□t in a □□ashbac□. The profes□or □s □xpl□i□□□g a□□tomy □f female breast. Many fla□□back□ an□ dreams oc□ur to Siddartha □h□ough □he fi□m.　　On his way t□□□oste□, he has an enco□nter with some hippies. Al□ng with an ex□classmate, □e goe□□out to see a porn fil□ □ut to t□eir □isap□ointme□t, the fi□m □urns out t□ be not-so-porn□graphi□.　□□n such c□nstant □a□□er□ng in a Calcut□a, d□sintegrated relations□i□s□w□th his□sister□and a Naxalit□ (milit□nt □o□□unist) □□oth□r, his friendship wit□ Ke□a is only th□□g t□at keeps□him sa□□.　　Keya is a□simpl□ girl. They □nj□y□each othe□'□s co□pany but they cannot□make any commi□□□□t to each othe□ due to □he □i□cu□□tanc□□□　　(💅)After□y□t anothe□□attempt at a □□b int□rview, Si□d□□t□a □□aves the □ig cit□ to □□ke a m□dest □o□ □f a s□le□man□in a far□o□f□s□all□town□ He writ□s to□Ke□a that he s□ill cherishes □heir□relation□h□p. And that he has h□ard t□a□ bird cal□ again □ut th□s time □□ is for□□□□l, and no□ his mind.□After comple□□□g the l□tter,□he comes □□t □□ th□ balcony of□hi□ m□dest r□om. The bi□d ca□□s ag□□n. H□ also □ears □he□sombre □hants of a fu□er□l processio□.□As □e□tu□ns t□ the □amer□□ the □icture □s frozen□　　□his is t□e□first□film of the□□alcutta Trilogy□ Th□ other □wo were and Seemabaddha □Compa□y Limited, 1971) an□ Jana Ara□ya (□he □iddle M□□, 197□). All the three□films□study □he effec□ □he □ig cit□ of Calcutta has on the edu□a□ed y□uth and th□□pric□ □t□extrac□s□□rom them.　□The seventies we□□ a diffic□lt p□□iod□for In□ia □□d West□Be□□□l. The Co□ru□tion was ra□pant□□□□e Nax□lite movement ha□ create□ □avoc in C□lc□tta. In fact, the□ had turned parts of□C□lcutta into □;li□er□t□d zones'. By t□e time t□e Naxalite move□ent di□d□□o□n,□in 1975□ Mrs□ I□d□ra Gandhi (the□, Prim□ Minister□of India) suppressed th□ fundamental r□ghts and □ecla□ed "Emergency"□ f□r□her own political su□viva□. □er son, Sanjay Ga□dhi be□am□ □□dictator□of sorts w□thout□any o□f□ci□l□designati□n. The opposition □□aders □er□ thrown int□ p□isons.　　A□out□h□s□soc□al r□sponsibili□□e□ a□ a f□lmmaker, i□□a□ i□terview wi□□□Cineaste magaz□□e,□Ray □□mmente□, &qu□t;You can □ee my□□ttitude in The Adv□rsary□wh□re you have tw□ brothers.□The young□r brother□is a Naxalit□□ T□e□e□is□n□ do□bt that th□ elde□□b□other□adm□r□s the yo□ng□r brother for his□braver□ and□convictions. The fi□□ i□ not ambiguous about that. As a fi□mma□er, however, I □as□mor□□□nterested in□the elder brot□er □e□ause □e is th□□vacillat□ng□character. As a psych□l□gical enti□y, as □ human be□ng with doubts, he i□ □ m□re interesting cha□acter to□□e. The younger b□ot□er has alre□□y identi□ied hims□l□□with a ca□se.□T□at □□kes him p□r□ □f a total a□titude and makes□him unimporta□□. T□e□Naxal□□e movement□ta□es over. H□, a□ □ person, □ecomes □nsignificant□"　　In a lett□r to S□ton in □9□□□□Ray wro□e th□t Pratid□andi wa□ the mo□□ pro□□c□tive film he had □□de□□ill t□en□ The f□lm is said to □ave evo□ed □xtreme□reaction□. &q□ot□□e□ple□either □□ved the film or hated it", Dhritim□n□Chatterjee told□A□drew Robinson, Ray's b□ographer.□而当武书一剑刺穿方可□心脏时，那几名□家长□同□痛心道，□□主？”- 阿蒙作为书中□□🗞)□要角(🐸)色，其单片□镜的形象□读者留下了深刻的印象。把铁剑熔化正□□眼巨□干的好事。它(🚘)头上的□睛只有□只，但是那一只魔眼，收束光子，射出能够把(🔲)钢铁在一瞬□熔化的灼热光□。要是谁□□种光线射□，必□(😹)化为焦□，难免(🎭)一死。“你们怎么□了□🔌)？□林梓懿忍不住□□

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