- 吴九指在其□□🐖□仙□路□一个机□巧合的机会结识□韩立。转自□h□tp://□ww.filmlin□.c□□/□yff□2010/vie□s-from□the-avant-garde-friday-octob□r-1/views□from□□he-avant-□ar□e-□e□n-marie-st□aub □The end of paradise□on □a□□h□”—Jean-Marie Str□ub□□□h□ 33rd verse and last□chant□o□ “□ar□di□e” in Dante’s Di□i□□ Come□y.□The film st□rts□with □er□e 67, “O somm□ luce□” and□cont□nues to the en□. “□ Somma luce” r□c□□l□□the□first □ords uttered by Em□edocles□□n Da□ièle Huille□ and Jean□Mari□ Stra□b’□ 198□□□he Death of Em□edocles—“O□him□□□sch Licht!…” (O he□venly lig□t!). This extrac□ fr□m Hölder□□□’□ text is also in□□rted into their 1□89 film Cézanne. “O □□mma luce” invokes□utop□a, or bett□r s□ill□“u-topo□,” Dante, Holderlin, Cézanne… □he □a□era□movement, recallin□ □is□p□us, in the film’s long shots□ sugge□ts□its □iffi□ult□□□ □n□O somma lu□□,□w□th Giorgi□ Pas□er□n□□s Dante□an□ the□□erse that co□□□ude□ the Divine □om□dy, □e□find at □he extremity □f it□ □ossibilities, the almos□ happy □peech of□a□man who □as□just l□ft□ear□hly paradi□e, □h□ tries to fully realize the potentia□ of his nature. Be□ween t□e t□o we□find t□e s□o□y o□ the world□ The first□Jean□M□ri□ S□□aub film s□ot in HD. □o s□ngula□□□□e □he□t□xt□al wor□ing□met□ods of□Straub-Huillet, and now S□raub on □is own, that □□ is hard□to grasp how far r□achin□ they are. Direction is a mat□er of wor□s□an□ speech□ not □motio□s and action. Noth□n□ hap□□□s at the□□dges, everything is at □he core □n□ shines from there□alone.□ During t□e rehearsals we□sense a□slow proces□ by which ingredients (a tex□, ac□ors,□an□intu□tio□) progress towards □ohesi□e□ess.□It is□ forgive the□comparis□n, like □he kn□ading of doug□. It is the as□em□ling and□working of□something until □t becom□s s□mething else… a□d, in thi□ case, □tarts□to sh□ne. A□tual□y □t’s very simple, it’s just a que□□ion o□ open□ng u□ to□t□e□□ig□t m□teri□l that ha□ been sealed □p□□Here, the □□□cess□of □neadi□g□is to br□ng to□□ife a□d then□□eveal. T□e material th□t□is □orke□ on □s □pe□ch.□So it is spee□h□th□t b□□omes□vis□ble—nothi□g e□s□. “Lo□□s” comes to the cinema. □🗺)The mise □n □cène □f□what□□□rds e□a□tly□ The process of□r□veali□g, “ph□□nestai”; “phainomenon,” t□e phenome□on, is□what tak□ □p□ace, wh□□ becom□s vi□ible t□ the e□□. Is□□□traubie” □reece? T□is□mis□ en□s□è□e of □p□ech, which g□es beyond a close re□ding□of t□e c□o□□n □ext, is □rul□ com□s□from a □ist□nt source.□Ba□bara Ul□ich《Hyen□》讲□代理上流阶层(🧞)□件的律师们抛头(□)颅□热血的□(💰)□故事。虽然主□们的(🎴□设□(□)是律师,但该剧并不是法庭电视剧。是讲述以法律为(🎗)生存武器□鬣狗律师们的□于人类的故事,□描写围绕着男女□人公□各种人物群像而展开□浩荡的生□游戏。 由□□之画员》□来自星星的你》张□侑导□执 导,金璐利编剧执(🕍)笔。《名侦探学院4之学长!请吃饭》□《□星大侦探之名侦□□院 第(🛄□四季》的衍生内容(📔),以(🦋)学长们欢快□做饭吃饭的休闲娱□(🚃)日常为主。通过精剪的方式,聚焦展现学长们高能刺激□寻宝游戏之外的温馨□常。
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