《南佳也合作过的女演员》

The film accompanies Magaye Niyang, a star of Touki-Bouki, a 1972 classic directed by her own uncle Djibril Diop. Following this path, we are witness of Niyang travel to a special screening of the film, which has a public release in his old town. Niyang seems detached and with a heavy longing from the past, and therefore, the film debris permeates everything with unescapable sorrow and fascination.　　Diop film is, first and foremost, a nostalgic travel through memory, time and recreation. It is also a watermark in contemporary experimental documentary, a very intimate portrait of a lost long journey through the past that isn’t returning anymore, a detachment of rejected fame, recognition and connection which is heavily grounded on a legacy that belongs to the past, and that connects directly to a country (Senegal) and its heritage, which is sometimes feel excruciating for the old ones (a testimony such as the taxi scene in the film, where the cab driver longs for changes, and claims that the old generation had done nothing for that).　　Mille Soleils (A Thousand Suns) and, in itself, Mati Diop’s crucial talent, should be a point of reference into what could easily be one of the most interesting proposals of hybrid documentary cinema which has come from France, and which deals with a strong African heritage. Since 35 Rhums, where she proved her actress talent, Diop seems like a true promise for the following years of cinema.

“小羽，我错了，别咬了。”苏生又赶忙在神识里求饶道南佳也合作过的女演员　　如今，察汗淖尔国家湿地公园内每年迁徙季都会迎来大天鹅、小天鹅、蓑羽鹤、灰鹤等大批候鸟，已然成为一张“生态名片”。

＂看来这一点是肯定的。＂亚瑟这时候已经小心翼翼地把卡在臂骨间的匕首拔了出来，匕首上的毒让他有点头晕眼花，＂这些狐人不是来杀我们的，他们的目的是要取这小子的命。为什么一群狐人要取一个豹人小子的性命？太奇怪了。＂

朱靖主要供货给饭店，另外两个是供货给超市和市场，有不同的方向，不会有冲突。”