Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns. 今日之明日之什么意思说起自身的修行情况,武书认真道,“炼体方面我是蛮牛体境,土力方面则是真元境九层巅峰,虽说今夜一战我所展现的实力不凡,但晚辈自知,如今我的修炼等级仍旧需要通过实战来稳住根基。另外,在实战方面,晚辈还需要修炼一些能够与人对战的秘技。”