《韩国电影 欲望丈夫》

□ut□□f the fif□ies '□&□39; Scien□e-Fiction monst□r movies,□t□i□ easily □anks □s the best.□It&□□9;s m□st □otable as the film□that ALIE□□i□ an una□cre□ited r□make of,□thus gi□ing it a certain□histor□cal s□g□ifica□c□.　　The intriguing plot □s □□□□t the r□scue of t□e□on□y marooned survivor (Col. □arru□hers) □f an i□l-fa□ed e□□edit□on to Mars. T□e □ut□orities,□pi□-headed □s u□ual, □alsely□□ssume t□at□h□ mu□□□r□d his fellow crew□memb□□s,□s□□that he'□□ have m□r□ provisions t□ survi□e; hence □□□i□ being brought back to Earth to f□□e court-mart□al for□murder.□(Th□re i□□□□so□□ so□ew□at inter□sting □lo□□rev□r□al here: Mos□ movies of this natu□□ usually beg□n wi□□ the ship leav□ng□E□rth,□enroute □o its otherw□rld□□e□tination, □hile, in this c□se, the "sto□y" is believe□□finished, and be□ins□as the ch□□acters t□ke-□ff fr□m the other□planet, retur□□ng t□ Ear□h).□As□the□re□cue sh□p is □□a□in□ Mars, a lurking, o□inous□s□a□o□□is see□ in t□e lower □o□partment. (A frightening, atmosph□ric mome□t, accomp□i□h□d through s□□er ec□no□y a□d□simpl□cit□□.　　□arru□hers insists of his □nnoce□c□ t□ his fello□ capt□rs, cl□i□ing th□t his original crew ma□□□ w□r□ □l□□gh□□□ed by a□hosti□e, un□ee□ pr□se□ce on the desolute r□d planet, □ut □h□ee-guesse□ as t□ □heir reac□ion to □is un□sual□plea. Naturally, he can&#□□;□ pro□□ it□ an□ □0's space□□utho□ities were no□ v□ry□a□ien co□□cience □t th□ time. (As a□□ide□thoug□t, "□nsee□ menace&qu□t; ma□ remin□ □ou□of t□at highly□&□uo□;origin□l" BLAIR WITCH).　□(🌍)As □veryon□ s□cks out, a hap□ess □u□p□rtin□ ch□ra□tor □h□se name is at the bottom □f the□cas□ing lis□ (guess □□a□ wi□l □□ppen □o h□□?□ hear□ somet□in□ in the l□w□r c□mpartm□n□. Despite your futile &quo□;don&□39;□ go d□wn th□re, you jerk!" □leas, he does just th□t, □nd is appropri□tely killed (more □ike t□oroughly oblitera□ed) by t□e□shadowy figure with insat□able □□ood lust on its min□. In □□e victim&#□9;s case, □ereliction of duty a□d sheer cowardliness□wou□d have be□n□the□wi□e□d□c□sion. T□e sce□e is actually wel□-directed (for a c□ange) and□develops much sus□□nse, as the entir□ film sur□ri□ing□y doe□.□　The□crew fina□l□ □atches o□ that□□h□y□have an unwanted ship crasher on bo□rd, a□d try eve□y po□si□□e □e□ns a□ their disposal to □liminate it, but t□□ unknown □□eature□seems to coppin□ an an□i-d□ath at□□tude. Pr□□ing to □□ an □ven more cl□ver, worthy□□d□ers□ry, 'IT!' also□hide□ out in the ventil□t□on sh□fts of the ship (no□ th□t sh□uld □i□g a□bell).□Cahn'□s □o□ceful d□rection□genera□e□ c□nsiderable□tension□□□ the malevo□ent □t□waway wo□k□ it□ way□up from one level of th□ con□ined □hip to□the next, event□□lly leaving □□□ □□maining □haracters□tra□□□d at the top. The □ovi□'s □uspe□se □s□bl□nt and□□ight t□ the □oi□□: □quot□IT!□□39□ h□s to□k□ll the□□or □□arve, hence they have□to□kill &q□ot;IT!" or die. Noth□ng like those□&quo□;no□two ways about it"□ c□o□ces. Ren□ it, □r ch□ck□for it on cable □f yo□□wish to k□ow the ou□come.　　□o□ a□low-b□d□et□quickie, IT! is quite □mpressive and memorable. The□□r□□ded □ense□of cl□□s□□ophobic□te□sio□□ r□□derin□ the □harac□ers&□39; □elple□s ent□apment, is □ighly effective. □his is a pro□uc□ion in wh□ch th□□limite□ budget □n□ small □ets□□ctuall□ work in□□□vo□ □f the p□ot's scary □mb□ence. The b□ack &a□p□ white □ho□ography□(Yes□□it'□s o□e □□ thos□!□ helps to enhance it□ □ark,□c□eepy□mood, and th□ sen□e of appreh□ns□on is quite high. (□ode□n □ay □olor freaks never□seem to take t□at □nt□□c□ns□d□ration). T□e p□ot □s al□o somewhat cynically ironic: If □□e cre□ture□□□dn&#□9;□□s□ow□d□away on □he□□hi□, Carruthers would have□most l□□ely been fo□nd guilty □f t□e□charges □ga□ns□□□im□　　The intelligent script□(s□e wh□t I mean abou□ □quot;ra□eity") wa□ pen□ed by note□ Sci□nc□□Fiction auth□r Jerome Bix□y (remember Tw□light □o□e&#□□;s &quo□;□□'s□a Good□□ife&□□ot;)? The picture□;s taut editing□eliminates□any ex□ran□ous dross. (□LIEN tende□ to □rag in its first □our□w□th its s□phomoric dialogue, and why □id it□h□ve to includ□ that□stu□id and ultimately □o□n□er-p□oduct□ve sub-pl□t of □□h being a robot, and fu□ther dragg□ng the st□ry do□n □o anot□er b□g bad consp□r□cy□□liche? U□NE□ES□□RY!!!)□　Di□ector□Cahn □□tutely keep□ □h□ rub□er-suited□mon□ter off-screen□and in t□e sh□dows t□r□ugh-o□t mo□t of the □roceedings, keep□ng □our parano□□□imagination on const□nt alert. Unfortu□ately, □er□aps at the st□d□o&#□9;s commercial □□sista□c□, it □s □ □□tt□□ over-revealed at □□e c□i□ax, but □ h□ven□#39;□ □laimed this to be□the perfect mast□rp□ece. The □erforman□es, though □oth□ng a□ard-winni□g, are □eve□t□eless □ool e□oug□ so □ha□ one bec□mes since□ely c□nce□n□d □s to th□ir□fates. No□ □□ny movi□s i□ r□cent □imes□eve□□come□cl□se to □chievi□g tha□.□Th□y ca□□be ov□r-pr□duced from h□re □o □ter□i□y, and usuall□ on□y suc□eed in being gloriously ann□ying.　(🏷)　T□is film's st□ry□i□ not re□lly tota□ly or□ginal (wh□t is□), for it is based on A.E. Van □□g□□;s "□OYAGE OF T□□ SPAC□ BEAGLE." All ALIEN □anat□cs should track dow□ an □ld u□□d c□py□t□ see whe□e the initial □nflue□□e came from□　　As long as you'r□ no□ craving an□the□ CGI wind-□i□g, you m□y find i□□□orthw□ile. Jus□ do□'□t expect the□women to be R□pley precur□ors. This□was sti□□□the sock-□nitting fifti□s, □□d to sa□□□＂别忘了回去的□上还是要乘坐铁□的。＂亚(🏎)□冷冷地加上一句。杜若□🙌)和周永忠有说有笑，在经过龙旭面□(□)的时候，杜若微微□朝他点了点□，□静的(🔧)□一汪清水□龙□□面(🍧)前流过。由于□酒，弗兰克（本·金斯利 B□n□Kingsley 饰）□一次将组织分配给他的任务给搞砸了□作为□名□业杀手，这是无法原谅□错误，为了□弗兰克(🤣)“重回正道”，他的叔叔□曼□菲□□·贝□·(🏛□□尔□Phili□ Ba□er□Hall 饰）不得不将□□往旧金□📿)山，进行□制(🤗)戒酒。□　在□友汤姆（卢克·威尔逊 L□ke Wi□□on 饰）□💃)的陪伴下，弗兰克的戒酒事业初显成效，同时，□个叫劳瑞□（蒂娅(🆒)·里欧妮□□ea Leo□i 饰□的姑娘的出现让弗兰克坠(📮)入了□网。坏消息传来，黑帮大□爱□华（(🕛□丹尼斯·法里纳 Dennis Farina 饰）对(🏙)弗兰克的家□进(□)行了大清洗，为了复仇，□(📼)兰克毅然放□了旧金山平静舒适的生□，踏上了返乡的道路。不同的是(🔏)，这一次，□兰□□□(⛱)边多□一个美□，对□危险的未来，深爱弗兰克□□瑞尔决定不离不(🏻)弃，奉陪□底。

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