Yael □erson□ki□#3□;s po□e□ful documentary □c□ieves a remarkable feat through□its penetra□ing l□ok□at a□oth□□ fil□-the now-inf□mous Nazi□pro□uced film ab□□t □□e □ars□w□Ghetto. Disc□vered after□the □ar, □he unfini□hed□wor□, with no soun□track□ quickly became a□re□□urc□ for histo□ian□ □eeking an □u□h□ntic record, desp□te it□ elaborate propa□an□is□ic c□nstruction. Th□ l□ter□discovery of□a□long□missing reel□complicat□d □arl□e□ rea□i□gs, s□owing the manipulation□ of ca□e□□ c□ews □n these &□u□t;eve□yd□y&qu□t; scenes. We□l□□eel□d Jews□attending elegan□ d□nners and□thea□rical□ (□hile callo□sly s□epping ove□ th□ d□a□ bodies o□ compatriots) n□w□ap□□ared as un□illing, □u□ com□□icit, actor□, alternately fe□rful and□in□d□nia□ □f t□eir lo□ming □□te. ——Writte□ by□S□ndance□Film□F□s□ival
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