在《□秘之主》□,阿蒙标志性的特征就是右眼戴单片眼镜□□蒙分身无数、随(🕌)意寄□以及企图入侵源(🏹)堡的种种行为令人印象□□,其出□必备的“右(🔖)眼戴单片眼镜(🎖)”□是□为(🐼)不□□者熟知□标志性语句(🎇□之□。比如在□些场景中...□>□转自:h□tp:□/www.filmlinc.c□m/ny□f/□010/vie□□-from-the□ava□t□ga□de-friday-o□tober-1/v□ews-□rom-□he-avant-□□rde□je□n-marie-□tr□u□ □Th□ end of par□dise □n earth.□—Jean-M□r□e Straub□ The 33rd ver□e and last□chan□ □f “□aradise” in Dante’□ Divine Com□□□. The □i□m st□rts with verse 67, “O somm□ luce□”□a□d contin□es to the end. “O Somma luce” □ecalls□t□e f□rs□ w□rds ut□ered by Emped□□les□in Daniè□e Huille□ and J□an□Marie Straub’(🏰)s 1987 Th□ D□ath of□Emp□□ocles—“O himml□s□h □icht□…□ (□ heavenly l□ght!). Thi□□ext□act□f□om □ö□d□r□in’s text is also i□serted into their 1989 □ilm Céz□nne. “O□somma luce”□invok□s utopia, or□bet□er □□il□□“u-topos,” Dante□ Hol□e□l□n□ Céza□ne…□th□ camera movemen□, recalling□□isyphus, in the film’(🈵)s l□ng shots, sugge□ts its diffi□ulty.□ In□O somma luce, with□Giorgio□Passer□ne’□ Da□te and the v□rse that □onclud□d the Divi□□□Com□dy, we find at the extremity of □ts possi□□□□□ies, □he □lmost □app□ sp□ech □f a □a□ who has □ust l□□t ear□□ly parad□se, w□o □□ie□□t□ □ully realize the po□ential□of□his natur□.□Bet□ee□ the two we□find the s□ory of the □o□ld. □□e fir□□□Jean-Marie □□r□ub□f□lm shot in □D. □o singula□ a□e th□ t□xtual □orking□□ethods of Straub-Huillet, a□d no□ Straub□on his own, that□□t□□s h□rd □o grasp how far rea□hing they are. Direction is □ m□t□er□of word□ and□sp□ech,□not emo□ions□a□□□act□on□ □othing□happens □t the□□dges, ever□□hing is □t the □or□ an□□shine□ from th□□e alone. Durin□ the □□hear□al□ w□ sense a□□low □rocess b□ whi□h ing□edient□ □a text, ac□ors, a□ □ntuitio□) □rogr□ss towa□ds cohe□ivene□s. □t is□□forgive the co□□□r□son, like□the k□eading□□f dough. It is the a□semblin□ a□d working of□somethi□g□until it □□come□ □omet□in□ el□e… and, in □his □ase,□starts to shine. Actually i□’□ very s□m□le, it’s□□□st a qu□stion o□ open□ng up□to th□ l□g□□□ma□erial that□□as □een s□aled u□. H□r□□ □he process□of kn□ading is to bring to li□e and t□e□ reveal. T□e □at□rial that i□□worked on is speech. So□it is speech tha□ becomes visible—no□□ing□e□se. “L□go□” comes to the cinema. The mise □n scène of what words ex□□tly? T□e□pr□c□ss □f revealing, “p□ainestai”; “phain□me□on,” the phe□omen□n, is what take □place, w□□t becom□s v□sible to the□eye. Is “□tra□bie” □ree□e? □h□□ mi□e en□scè(📀□ne of speech, □h□ch□goes beyo□d a close □eading of the chosen□text, is truly comes from a d□stant so□rce□—Barbara □lrich□ □王永表示,中国品牌□性500强榜单已□续发布□年,旨在助力中国自主品牌建设,选树□□品牌影响□的优□女性,鼓舞引(🆘□□□场女性自立自强。□完□他是□魂□越过来的,又不是真□是老家主的儿子□ 入□后,随着暖湿气流开始活跃,其与冷□□“狭路□逢”,□酝酿出□🔋)一□又一场的春□。在浙江,3月□地雨水□□👐)常□同期偏少□成□右,其□丽水庆元、丽水青田、温州文成等地□□照□数不足(⛄)1小时,为□(🚿)□史记录以来的(🦇)□期第□(👝)少。
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