主演:Alex Gonzaga 賴承德 罗纳德·皮卡普 考克斯·哈比马
导演:朴善浩
根□《诡秘之□》□设定,魔女会□□□等待电...
In the □ime □f Counter-Refor□ation□ a m□ller and his so□ come □nder i□ves□iga□i□□ by□□ pries□ of the□□nquisitio□,□w□en ru□ors spread that□their prosper□t□ □om□s □□□m w□rking □ith t□e Devi□. Th□ De□i□□#39;s Trap is a fi□□ dire□t□d by František Vlá?il,□based on a novel by Alfréd T□chnik, adap□ed □y □□antišek A□ Dvor□k a□d□Miloš K□atochvíl. □t was□th□□firs□ of three historical dramas□th□t Vlá?il made durin□ □□e Cze□h□Ne□ □□ve□(tec□nica□ly he□isn'□t re□lly a p□rt o□□□□e□N□w Wave, howeve□ th□se films were made during the same e□a of□artistic freedom)□ pr□c□ding h□s more well known□Marketa L□zarov□ (□□67)□and Val□ey of□t□e Bee□ □1968). □Set in the lat□ 16th □en□□ry du□ing the Catholic Refor□ation, in the Moravia□ Kar□t, situated in what is no□ the Eastern C□□ch Republ□c, it□te□ls the tale of □ mi□ler (Ví□□zslav□Vejrazka), a□□ hi□ son Jan (V□t Olme□□, who come□u□der □usp□cio□ and ar□ investigate□ by a Jesu□t p□□□s□□of the□Inquis□tio□□(□□□osl□v Macháchek□, □he□ □umo□s o□ witchcraft□are □pr□ad by□the local re□□□t (Cestmír Rand□)□ who i□ □ealo□s □□ the miller's pros□eri□y and degr□e of res□ect among□th□ local popula□e.□ As expe□ted □rom □lá?il, □his fil□□is a stunnin□ exp□rie□□e all the□way through. F□om t□e o□enin□ shot, an omin□us manipulat□on □f perspective w□t□ a close□u□ of□a m□ngled f□gure of C□□ist□domi□at□n□ the □oreground□ag□inst a □iny f□g□re in black□walking al□ng th□ horizon, □o□□he breathtaki□g conf□on□ational fi□ale □n□ide th□ va□t □talactite f□ll□d Karst caver□s, it is a w□nder□ul □is□lay of visual □as□er□. Maybe □ot quite as impr□ssive as Marketa Lazarov□, b□t stil□ f□ll of astonishing ima□er□. As seen fr□m unique a□gles □nd disti□ct points of□□iew whic□ hig□li□ht the di□□□tor&□39□s remarkable sense □f □wareness□of fra□ing, m□tio□, and □ositioning□on the □□otiona□ and□dramati□ tone of the scene. T□□ mos□ memo□a□le be□ng a rep□at□d□shot where □h□ □a□era is suspended and launched □i□h speed thr□ugh the □ir towards the m□ll□□'s door. The s□or□ here is a simple o□e and I □ould say□mor□ a□ces□□ble than h□s l□ter works□ W□th a □o□ven□i□nal stru□ture emphasized as □uch□by i□s p□ot and □haracters,□th□n □y □ts expressionistic □in□mato□ra□hy or authent□c histori□a□ detai□. The □ve□t□ □lay ou□ wit□out□mu□h surprise, and □h□re is □ stron□ unde□□ying□□almost super□atural,□□□ste□io□s as□□ct tha□ is left unreso□ve□,□□n□fact barely ex□lored,□□h□ch is □lightly d□sappoin□ing, but only because □t's s□ fasci□ati□g that I w□s□ t□er□ was mor□. Acting is grea□ a□l aro□n□. Part□□□larly the□vi□lains: Mirosl□v Ma□háchek as□t□e □riest,□cas□ing a s□nister a□d□imp□sing □hadow where□er he go□s, □nd Cestm□r Randa as □he weasel □i□e □egent b□hin□ al□ the p□rse□u□ion. While □ít Ol□er □rings a char□sma□ic lea□i□g man pre□enc□□in hi□ r□le as t□e mil□e□□9;s son J□n, in□love with th□ lo□ely o□p□an gi□□□□artin□ (Kar□a Cha□imová), who be□□□es a da□gerou□ ob□ect of rivalry be□ween Jan □nd other□young m□□□o□ the vi□lag□. □□e fi□m□a□so f□atur□s the evocative music o□ Zden?k Lišk□□(p□rha□s the m□□t p□olif□c□composer □f □h□ Czech New Wave). In this hi□ second of□elev□n colla□or□tions with□Vlá?il, his compositions ar□□used sparingly, b□t to □reat ef□□ct, compl□□enting but never overpowe□ing a sc□ne. The bes□ example o□□which can be□heard in□an am□z□ngly sh□t celeb□ation□and da□ce sequence at the end o□□□he second□act. The Devi□'s □rap might not be a m□sterpiece,□but it is st□ll □ strong ef□ort, wit□ a fascinating□st□a□□□□□orward s□o□y and□a glorious hist□rica□□se□ting capt□r□d beautifull□□by V□á?il□;s unm□stakable visual p□ow□ss. A fine□w□rk that would □lso □e the perf□ct starter plate t□ prep□□e □ourself for □he cha□lengin□□feast of□Ma□ket□ □a□ar□vá(🚡) or The□V□lley o□ t□e B□□s. It even has an eas□ □o□digest ru□ning tim□. It's ther□fore□puzzling□wh□ th□□ ge□ remai□s largely ove□l□oke□ an□ □gnored.“骂(🔵)你怎么□!”晋□朗□□道□“就算你是仙士,我们□普通凡人,也不是能够任由你(🎧)欺负的!你做了错事□赶紧道歉!”《时光□你都很甜》讲□□(□)五个拥□(🈁)埃西斯□罗牌的年轻人,□迹般来(□)到有着完全不同(🎅)人生的平行世界,得以用另一□视角重新审视过往,并通过□慧□情感的博弈,决定是留是□(💞)的□事。 □该网(🧥)剧□述的是□□(🔦)“人□□(🔲)择”的命题□剧里□😈)□一个角色没有什么大是大非,每一个人的立场、角□、维度不同,所做的选择也会不同□而每□种选择□□🏕)后,都对□□另外一种□生状态□如果你了解塔罗牌,那么你肯定知道抽到“死亡卡”,并不□表字面上的死亡,而□□变,□□是影片□重点□一。选择□善、向美而行,人生也会发生美好□变。 《时□和□□很甜》是□个相□来□类型□□)化的故(🌿)事,它是以讲故事的□式讲给观众听,同时暗含着人生的一些道理、□□的善恶在里□。五位主人公□□段奇□的经历□有机会称量(❎)亲情、□情、爱□、(🚩)金钱、事业□地□□心□的□(🚸)量。在经历了迷茫徘□、阴谋算计、团□共进后,他们终于用爱□胜恨,寻回了(💬□□心□🛌)。 ...详情根□《诡秘之□》□设定,魔女会□□□等待电...
In the □ime □f Counter-Refor□ation□ a m□ller and his so□ come □nder i□ves□iga□i□□ by□□ pries□ of the□□nquisitio□,□w□en ru□ors spread that□their prosper□t□ □om□s □□□m w□rking □ith t□e Devi□. Th□ De□i□□#39;s Trap is a fi□□ dire□t□d by František Vlá?il,□based on a novel by Alfréd T□chnik, adap□ed □y □□antišek A□ Dvor□k a□d□Miloš K□atochvíl. □t was□th□□firs□ of three historical dramas□th□t Vlá?il made durin□ □□e Cze□h□Ne□ □□ve□(tec□nica□ly he□isn'□t re□lly a p□rt o□□□□e□N□w Wave, howeve□ th□se films were made during the same e□a of□artistic freedom)□ pr□c□ding h□s more well known□Marketa L□zarov□ (□□67)□and Val□ey of□t□e Bee□ □1968). □Set in the lat□ 16th □en□□ry du□ing the Catholic Refor□ation, in the Moravia□ Kar□t, situated in what is no□ the Eastern C□□ch Republ□c, it□te□ls the tale of □ mi□ler (Ví□□zslav□Vejrazka), a□□ hi□ son Jan (V□t Olme□□, who come□u□der □usp□cio□ and ar□ investigate□ by a Jesu□t p□□□s□□of the□Inquis□tio□□(□□□osl□v Macháchek□, □he□ □umo□s o□ witchcraft□are □pr□ad by□the local re□□□t (Cestmír Rand□)□ who i□ □ealo□s □□ the miller's pros□eri□y and degr□e of res□ect among□th□ local popula□e.□ As expe□ted □rom □lá?il, □his fil□□is a stunnin□ exp□rie□□e all the□way through. F□om t□e o□enin□ shot, an omin□us manipulat□on □f perspective w□t□ a close□u□ of□a m□ngled f□gure of C□□ist□domi□at□n□ the □oreground□ag□inst a □iny f□g□re in black□walking al□ng th□ horizon, □o□□he breathtaki□g conf□on□ational fi□ale □n□ide th□ va□t □talactite f□ll□d Karst caver□s, it is a w□nder□ul □is□lay of visual □as□er□. Maybe □ot quite as impr□ssive as Marketa Lazarov□, b□t stil□ f□ll of astonishing ima□er□. As seen fr□m unique a□gles □nd disti□ct points of□□iew whic□ hig□li□ht the di□□□tor&□39□s remarkable sense □f □wareness□of fra□ing, m□tio□, and □ositioning□on the □□otiona□ and□dramati□ tone of the scene. T□□ mos□ memo□a□le be□ng a rep□at□d□shot where □h□ □a□era is suspended and launched □i□h speed thr□ugh the □ir towards the m□ll□□'s door. The s□or□ here is a simple o□e and I □ould say□mor□ a□ces□□ble than h□s l□ter works□ W□th a □o□ven□i□nal stru□ture emphasized as □uch□by i□s p□ot and □haracters,□th□n □y □ts expressionistic □in□mato□ra□hy or authent□c histori□a□ detai□. The □ve□t□ □lay ou□ wit□out□mu□h surprise, and □h□re is □ stron□ unde□□ying□□almost super□atural,□□□ste□io□s as□□ct tha□ is left unreso□ve□,□□n□fact barely ex□lored,□□h□ch is □lightly d□sappoin□ing, but only because □t's s□ fasci□ati□g that I w□s□ t□er□ was mor□. Acting is grea□ a□l aro□n□. Part□□□larly the□vi□lains: Mirosl□v Ma□háchek as□t□e □riest,□cas□ing a s□nister a□d□imp□sing □hadow where□er he go□s, □nd Cestm□r Randa as □he weasel □i□e □egent b□hin□ al□ the p□rse□u□ion. While □ít Ol□er □rings a char□sma□ic lea□i□g man pre□enc□□in hi□ r□le as t□e mil□e□□9;s son J□n, in□love with th□ lo□ely o□p□an gi□□□□artin□ (Kar□a Cha□imová), who be□□□es a da□gerou□ ob□ect of rivalry be□ween Jan □nd other□young m□□□o□ the vi□lag□. □□e fi□m□a□so f□atur□s the evocative music o□ Zden?k Lišk□□(p□rha□s the m□□t p□olif□c□composer □f □h□ Czech New Wave). In this hi□ second of□elev□n colla□or□tions with□Vlá?il, his compositions ar□□used sparingly, b□t to □reat ef□□ct, compl□□enting but never overpowe□ing a sc□ne. The bes□ example o□□which can be□heard in□an am□z□ngly sh□t celeb□ation□and da□ce sequence at the end o□□□he second□act. The Devi□'s □rap might not be a m□sterpiece,□but it is st□ll □ strong ef□ort, wit□ a fascinating□st□a□□□□□orward s□o□y and□a glorious hist□rica□□se□ting capt□r□d beautifull□□by V□á?il□;s unm□stakable visual p□ow□ss. A fine□w□rk that would □lso □e the perf□ct starter plate t□ prep□□e □ourself for □he cha□lengin□□feast of□Ma□ket□ □a□ar□vá(🚡) or The□V□lley o□ t□e B□□s. It even has an eas□ □o□digest ru□ning tim□. It's ther□fore□puzzling□wh□ th□□ ge□ remai□s largely ove□l□oke□ an□ □gnored.“骂(🔵)你怎么□!”晋□朗□□道□“就算你是仙士,我们□普通凡人,也不是能够任由你(🎧)欺负的!你做了错事□赶紧道歉!”《时光□你都很甜》讲□□(□)五个拥□(🈁)埃西斯□罗牌的年轻人,□迹般来(□)到有着完全不同(🎅)人生的平行世界,得以用另一□视角重新审视过往,并通过□慧□情感的博弈,决定是留是□(💞)的□事。 □该网(🧥)剧□述的是□□(🔦)“人□□(🔲)择”的命题□剧里□😈)□一个角色没有什么大是大非,每一个人的立场、角□、维度不同,所做的选择也会不同□而每□种选择□□🏕)后,都对□□另外一种□生状态□如果你了解塔罗牌,那么你肯定知道抽到“死亡卡”,并不□表字面上的死亡,而□□变,□□是影片□重点□一。选择□善、向美而行,人生也会发生美好□变。 《时□和□□很甜》是□个相□来□类型□□)化的故(🌿)事,它是以讲故事的□式讲给观众听,同时暗含着人生的一些道理、□□的善恶在里□。五位主人公□□段奇□的经历□有机会称量(❎)亲情、□情、爱□、(🚩)金钱、事业□地□□心□的□(🚸)量。在经历了迷茫徘□、阴谋算计、团□共进后,他们终于用爱□胜恨,寻回了(💬□□心□🛌)。如果喜欢最新免费电影大全-最新最全的免费追剧网-随便看看影院请分享给身边的朋友,站内广告是本站能持续为大家服务的立命之本还望顺手支持一下^_^
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