《爱我多深在线观看》

夜深人静，在将那枚雷果吃下后，武书便是开始运转天雷诀，不断将雷果所化的灵气引导进丹田之内。不过，这一边修炼天雷诀，武书是一边在思考着。烈焰锤所给的那团记忆中，也是详细记载了穴窍温养灵器的好处，可武书却是不敢依照那些方法去做。之所以不能按照那些方法做，正是因为武书体内所开辟出的穴窍，每一个穴窍内都是蕴藏着大量的诅咒之力。

被苏生这么一吼，那边二人，顿时都咬牙点了点头爱我多深在线观看而这道包含着残影的光团，在接近苏生之后，却是一句话都没有说，只是静静地立于苏生这道灵魂体的前面。

姜灵馨立马站了起来，直视着庄黑，“在这个世界，不光你们男人的尊严不容侵犯，我们女人的尊严同样是不能侵犯！要我在休书上签字，就等于要我丢弃我的尊严，那我宁愿去死！”

Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye".　　It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.　　And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).　　Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.　　And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.