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东篱秋:146.865.565.157转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub “The end of paradise on earth.”—Jean-Marie Straub The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne. “O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty. In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD. So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone. During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema. The mise en scène of what words exactly? The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye. Is “Straubie” Greece? This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich- 天犯同心:144.730.601.885渚濇嵁澶т紬鐐硅瘎鏄ヨ妭鍟嗗満鐑棬姒?鏄ヨ妭鏈熼棿榛勬郸鍖哄晢鍦轰汉姘旀渶楂樼殑鈥滃崄浜屾槦搴р€濅负(鎺掑悕涓嶅垎鍏堝悗):涓婃捣鏉ョ澹箍鍦恒€佺櫨鑱擹X鍒涜叮鍦恒€佷笂娴锋棩鏈堝厜涓績銆丅FC澶栨哗閲戣瀺涓績銆佷笂
非凡的公主希瑞国语版全集 王者包间 最低消费8988 可坐30人 推荐理由:上海外滩万利KTV消费价格,人均报消费价格夜总会以特色多变的包厢出名,无论你是想要豪华奢侈的,还是清新可爱的,又或 - 儿童团团员:167.320.198.203“可是，仙谷可是高等级的仙城或非常强大的势力才会拥有的，对生长环境要求非常苛刻，要求灵气特别浓郁的，怎么会出现在灵山这种地方？”他又喃喃自语。
- 山羊住在山上:145.443.388.532艾玛·罗伯茨将主演爱情喜剧片《关于命运》(About Fate)，与她合作了《假日约会》的蒂芙尼·保尔森写剧本，马里乌斯·韦斯伯格(《爱在大都市》《希特勒完蛋了》)执导。 讲述一男一女相信爱情，但似乎永远无法找到爱的真谛。而在狂风暴雨的新年前夜，发生了疯狂的转折，喜剧和混乱随之而来。
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