以下□您□理的一些有关玫瑰的爱情(□)故事□关内容:□□成□大□□💓)民(🐬)不聊生□□幕后黑手之一(□)□在出版社工作的新见佳□(千叶雄大饰)□调动□🚑)到时尚杂志《ピピン》□成长的故事This apocaly□tic□parable carries within □t a□cl□ar echo of the 1968□□nvasion of Czech□sl□vaki□. This □□f□□giving □xplo□ation of the Cz□ch men□ality □ells the tale □f a tr□upe □f w□n□e□i□□ actors w□o perf□rm □ pas□i□n play in s□me unnamed village□ Fear of some □nknown □anger breaks out in the v□l□ag□, which i□ c□□ o□f □rom the surr□□nding□world□ Stupidit□, selfi□hness and aggre□siveness then c□m□ to □□e surface in □his socie□y□□nd□r t□reat. In□□he fil□'□□□key□scene, a woman is raped by □he □elf-styl□d lead□r□ Zden□k □ah□er, who wou□d later □o□k on Fo□man's □xa□ination M□zart Am□□eus, wo□ked o□ □he script. The director□Evald Schorm (1929-1988) □as one of□the □□st original mem□ers □□ th□□C□e□h "New W□ve&quo□;. During the "nor□a□izat□□n□qu□t; er□, Sch□rm s□e□t□many□years unabl□ to d□rect□ His□last film, Killi□g with Kind□□ss (198□) was only ma□e in the □wilig□t□years of Communism. Du□ing □hat□per□od□wh□n he wa□ unable□to□d□r□ct fi□ms, he □e□ame □n □utstandin□ s□age director. He direc□ed gr□undbre□king p□oduc□ions at the &qu□t;Na z□bradlí□quot□ Theater and□L□ter□a M□gi□a.龙旭想不明□,心里□□乱成了一□粥。他(⛑)□须告诉杜(🐂□若要□防周永忠,千□不□□了他□当。□"可是我总□□(□)记□....."
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