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以□是关于《度华年》男二的人设□😑)：□新时代的中国(📫)，贫困□(□)区如何□过科技□新实□脱贫致富□□场舞和马拉□□(💸)火的□后□示出哪(📂□些新□象？如何平衡(⛳)经济(🌅)□展□生□□护□□系？《□(□)国小哥看中国：解码□时代》通过英国小哥方丹实地走□□州、成都、海口、合肥□7个地方的经□，耗时20多天，□□超过3800公里，从普通老百姓的切身体会出发，为你一一解答□ - 贞□(👀)十(🛩□四年（798 年），白(🔓)居易□27 岁(🎳)□离开符□去江南□父处，一路上写了□🚫□三首怀念湘灵的诗，□□是□□湘□》《寒闺夜》和《□相思》。 - 走□□之□，韩立在□□修炼自创的梵圣真魔功，最后修炼□涅□圣体□若(🛸)了□此圣体的功法或使用办法□有望解决煞气问题。“这等修炼速度□确实□得匪夷所思，想当年我从开始修炼到兽脉境第六□，花了数年□间(🐝)。”
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青橘白衫:158.846.403.681Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.- 齐疯子:161.733.72.907“啧啧——”
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