以下是白居易写□湘(□□灵的一些诗:□- 他是《大奉□□人》中的知名反派,为修炼而不□□段,□使民不聊生,是□成□奉(📚)乱象的罪魁祸首之一。□"The W□tch Burnt □live&q□ot;□ Af□□r a v□ry long, □ut v□su□lly □□resting an□m□□ed□opening credi□s□sequ□□ce,□Luchino Visconti (De□th in Venice) dir□cts□the fi□st sto□□□□which is □he l□□gest □f□t□e□five, taking app□oxi□a□ely a□third □f□□he □il□□9;□ runn□n□ □ength. M□ngano□plays□a superstar actress and □od□l □ho travels to □ mounta□n□resort, o□ly□to find the w□ll-to-do i□habitan□s have pre□udi□□s □□d preconc□ived □otions ab□u□ he□ based on her public pers□na. The□w□men ar□ al□ jealous and the m□n all want to□s□eep with her□ □ut □ll Mang□no w□nts is□to be left alo□e.□It's a m□s□ly somber satirical piece, but sto□y-□ise, it □anguishes in its modest id□a□a □it long□ beco□ing incons□quential to□a□l but those□fascinated□b□ the r□a□itie□ □f being famo□s. "Comm□ni□y S□i□it" Bolognini□9;s □□ece is□□;t r□all□ □ s□ory. I□'s mo□e□o□ a vi□ual ga□, in a sh□rt segm□□t tha□ features Mangano o□fering□t□ take an□injured□man to □ hospital, d□iving him □t brea□□eck □peed □h□oughou□ the city, b□t □ot□s□□□ping □t □o□ations wher□□□□□mig□t fi□d aid. I w□n't gi□e away the punch□in□ here, b□t it□s□cceeds in be□ng amusin□, even i□ i□'□s t□e kind o□□thi□g that only is intere□ti□g □h□ □□rs□ time thro□□h. □"The Earth See□ from the Moon□quot□ (🆑)□h□ esteeme□ writer□director□ □ier Pao□o□P□sol□ni (Salo), crafts the mi□dle□segment, which i□ the□mo□t □rtis□i□□and memora□le of th□ five. Reminiscent in style to "Do□□Quixot□", a□□ecently wido□□d father □nd his son □ravel around th□ countr□ in □ea□ch□□f a □ew □i□e and m□ther, an□ □fter a□long period□ th□y d□scover th□ □iteral□y speechl□ss □angano. S□e□bri□gs joy i□to □□eir l□ves□□but□□hey are poor, and in □□der □□ fi□d a b□tter l□fe for th□m□□lves, th□y co□co□t □ □ch□me to try t□ m□ke some □uick cash. □he□□tory is c□ntrived, and n□t com□letely□inter□sti□g, bu□ the ou□l□□d□s□ □erform□□ce□□□artwork, and costum□□□d□es evoke great char□ and likeabili□y. Altho□gh mu□e,□i□'s probab□y the□m□st a□□e□lin□ of Mangan□'s fi□e perfo□□ance□□ and To□o is t□rr□fic. "T□e Sici□i□n&q□o□; Franco□□ossi d□rects the fourth a□ s□ortest piece, a □trai□ht-forward □□veng□ story that co□es a□□ goes before it eve□ has a ch□nce of□becoming□i□terest□ng. It'□□viol□nt, but easily□□h□ □east satisfying of th□ five □tories. "A Night Like An□ Other" □Eastwood'□s appearance is□cl□□r□y th□ bigges□□a□traction □ere, w□ich w□s filmed in betwee□ t□□ S□□g□o□Leone &quo□□Dollars" trilogy.□It□9;s an en□oyable d□part□re from h□s nor□al ro□e□,□playing a □omedi□ romantic l□a□, □nd he is affably fun to watch□ Fam□d □ta□□□n dire□tor, V□tt□rio de Sica (□he□Bicycle □hief, Umberto D.) does □□ma□□□□f□□ job with□th□ story, w□ich per□ec□ly blends □□e mund□ne□a□d□the□fantasy in a visually sat□sfying way. The story is□about a □ored housewife (Mangano, of course), who t□ies in vain to get he□ h□sband to □e□l□z□ t□at he is not as romantic as he□used to be. T□□□scene is □nt□□□persed with comed□c rom□nce seq□en□□s r□□olving aroun□ the c□u□l□&□□9;s p□□t roma□tic inte□ludes, and□□ream□ of how t□eir live□ should be.
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