主演:丹尼斯·爱德华 萨钢云 Pratik Dixit 杨洪涛
□:《徐氏家族,符道求长生》,作□🏆)者:余□只□仙“灵山仙乡到了!□Wunde□ der Sc□öpfu□□ □s an extr□ordinary,□fascinating□K□lturfilm trying □o □x□lain t□□ whole human knowledge o□ t□□ □□20s abou□□□h□□world and the□un□verse. 15 s□□cial effect□ □□□erts and 9 camera□□□ □ere involved in □he production of this film wh□ch□combines documentary□scene□, □ist□r□ca□□documents□ fiction elements, animation □cenes and educa□□onal impac□. It□i□□ beautiful□□ □olore□□ usi□g tinting and ton□ng in □ very elabor□ted way. Some□vis□al ideas in□th□ □equence□ with a□□pa□e shutt□e□visi□□ng □iffer□nt planet□ in □he universe□see□ to h□ve □o be the ins□iration f□r Sta□□ey Kubric□&□39;s 20□1: □ Spac□ Odysse□. □In □he context of Germany's □ultur□i□m □heno□enon, □under der Schöpfung □as among □he great□□t achi□vemen□s of the 1920s. □□e□production□was□c□nstructe□□ □ehearsed□ and s□ot ov□r□a period of two□an□ a□half ye□rs, und□r the□super□i□io□□of Hann□ W□lter Ko□nblum□□The idea to □□scribe the u□□verse and man'□□□l□□e in□it well suite□ U□A□9;s Grossfilm me□tali□□, one year before the Metropo□is catastrophe. Hundreds of □killed□craftsme□ par□□cipated □n the □roject, bu□ldi□g props □nd cons□r□c□in□□sca□e□models drawn by □5 sp□cial □ffec□s draughtsm□n, w□ile □ camer□men in□separate □n□t□ worked on the historica□, d□c□□entary, f□cti□n□ animation, and science-f□□t□on sequence□. With□□t□s□ar rol□s or even□protagoni□t□, the f□lm'□ plot□is cr□wded with metic□lousl□ struc□ured □□d skillful□□□acted sin□le scenes □□ □r□ful mosai□ of s□all v□gnettes. □o□□es□ th□n four credited un□versit□ pr□fes□ors en□ured the□□ac□u□l ba□□ground be□ind the scientific an□ hi□torical e□ents portrayed. □Th□ □il□'s symbo□□o□ pro□ress an□ the new s□ien□ific era is a spacecraft, □□a□□lling□throug□ t□e Milky Way, making □ll the planets an□ their inspiring worlds □amiliar to us, wi□□ the ext□ava□anza of□t□eir distincti□e features. T□e f□lm□9□s edu□ational in□ent□ons, howev□r, become stea□il□ more□obs□ure, □umorous, or even camp□ as th□s populariz□□io□ pro□□ct proceeds. With th□ □xcuse o□ present□ng the end of□the wo□ld a not□so-n□□ c□ncept a□ a□ne□, □nden□ab□□ □cienti□ic truth, □he □□lm vee□s happil□ al□n□ a new p□th, d□spla□ing deta□□ed apocal□p□ic sc□nes of □he end of mankind. F□r to□ay's audi□n□es, this □maz□□g film d□monstrat□s□ho□□th□ uni□erse was compreh□nded □n the 1920s,□and how□that vi□w□wa□ sold□to contempo□ary □ud□ences. ...详情
“灵山仙乡到了!□Wunde□ der Sc□öpfu□□ □s an extr□ordinary,□fascinating□K□lturfilm trying □o □x□lain t□□ whole human knowledge o□ t□□ □□20s abou□□□h□□world and the□un□verse. 15 s□□cial effect□ □□□erts and 9 camera□□□ □ere involved in □he production of this film wh□ch□combines documentary□scene□, □ist□r□ca□□documents□ fiction elements, animation □cenes and educa□□onal impac□. It□i□□ beautiful□□ □olore□□ usi□g tinting and ton□ng in □ very elabor□ted way. Some□vis□al ideas in□th□ □equence□ with a□□pa□e shutt□e□visi□□ng □iffer□nt planet□ in □he universe□see□ to h□ve □o be the ins□iration f□r Sta□□ey Kubric□&□39;s 20□1: □ Spac□ Odysse□. □In □he context of Germany's □ultur□i□m □heno□enon, □under der Schöpfung □as among □he great□□t achi□vemen□s of the 1920s. □□e□production□was□c□nstructe□□ □ehearsed□ and s□ot ov□r□a period of two□an□ a□half ye□rs, und□r the□super□i□io□□of Hann□ W□lter Ko□nblum□□The idea to □□scribe the u□□verse and man'□□□l□□e in□it well suite□ U□A□9;s Grossfilm me□tali□□, one year before the Metropo□is catastrophe. Hundreds of □killed□craftsme□ par□□cipated □n the □roject, bu□ldi□g props □nd cons□r□c□in□□sca□e□models drawn by □5 sp□cial □ffec□s draughtsm□n, w□ile □ camer□men in□separate □n□t□ worked on the historica□, d□c□□entary, f□cti□n□ animation, and science-f□□t□on sequence□. With□□t□s□ar rol□s or even□protagoni□t□, the f□lm'□ plot□is cr□wded with metic□lousl□ struc□ured □□d skillful□□□acted sin□le scenes □□ □r□ful mosai□ of s□all v□gnettes. □o□□es□ th□n four credited un□versit□ pr□fes□ors en□ured the□□ac□u□l ba□□ground be□ind the scientific an□ hi□torical e□ents portrayed. □Th□ □il□'s symbo□□o□ pro□ress an□ the new s□ien□ific era is a spacecraft, □□a□□lling□throug□ t□e Milky Way, making □ll the planets an□ their inspiring worlds □amiliar to us, wi□□ the ext□ava□anza of□t□eir distincti□e features. T□e f□lm□9□s edu□ational in□ent□ons, howev□r, become stea□il□ more□obs□ure, □umorous, or even camp□ as th□s populariz□□io□ pro□□ct proceeds. With th□ □xcuse o□ present□ng the end of□the wo□ld a not□so-n□□ c□ncept a□ a□ne□, □nden□ab□□ □cienti□ic truth, □he □□lm vee□s happil□ al□n□ a new p□th, d□spla□ing deta□□ed apocal□p□ic sc□nes of □he end of mankind. F□r to□ay's audi□n□es, this □maz□□g film d□monstrat□s□ho□□th□ uni□erse was compreh□nded □n the 1920s,□and how□that vi□w□wa□ sold□to contempo□ary □ud□ences.
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