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以下□一些完□□□(🏧)艺□录小说推荐：Two□differences between this A□strian ve□sion an□ the ge□era□□y available □□erican ve□sion are immedia□e□y □b□ious: they diff□r both in their□length and in the language of the in□ertitles.□T□□ A□e□ican version is only 1,8□3 metres long□- a□ 18 f□ames per□second a d□ff□□ence of som□□7□mi□utes□□o□the Aus□□ian vers□on with 2□045 me□r□s. Wh□reas we or□g□nal□y pres□med only □ negligible diff□□ence, resul□□ng from □he v□r□in□ len□th o□□the interti□les□ a direct compariso□□has nevertheless shown□that th□ A□strian ver□ion d□f□er□ f□om the Ame□i□an ve□s□on□bot□ in the montage and□□n the dur□tion of i□□□vidua□ sc□□es. Yet □o□ could i□ hap□en tha□ □he later r□gi□nal distributio□□of a canon□c□l□□S silen□ film was longer than□□he "□orig□nal v□rsion"? The p□e□□lent Ameri□an v□rsion of □l□nd H□sbands does □ot corre□p□nd to the version show□ at the p□emi□□e of□1919. This little-kn□□n fact was alre□□y publ□shed b□ Richard Kosza□s□□ i□ □983. The film was□re-r□leased by Univer□al Pictures in 192□□ in a □ersio□ t□at□was 1,365 feet (416 m□tres) s□o□ter.□At□1□ f□a□es □□r second, th□s amo□nts to a t□m□ differen□e of 20 minutes! "□it□es were alter□d,□snipp□ts of acti□n rem□□ed and□at leas□ on□ maj□r s□en□ t□□□n out □n□irely, wher□□von □□eu□e□ and□Margaret vi□it a smal□ local chapel.&qu□t□□(Koszarsk□) From□□he present□state of research we c□n assume tha□ all th□ known Am□rican□copies of the film□□e□ive fr□m t□is sh□rten□□□re-rele□se vers□on, □ □opy of wh□ch □n□ve□sal donated to the M□seum of Modern □rt□□n 1941. A□c□rding t□ K□sz□rski th□ origi□a□ negati□□ of the film was dest□oyed som□time □etw□□n □□□6 and 1961 □nd has□□heref□re been ir□e□ri□□□bly lo□t. This in□or□ation casts □n in□eresti□g light on the Aus□rian v□rsion,□whi□h c□n be dated to the p□riod between t□e s□□mer of 1921 a□d the □inter □f 1922.□Furthermore, the c□py□is□some 200 me□res lon□er than the US v□r□ion of 1924. If□one □ol□o□s the d□tails □iv□n□□y Ric□ard K□szarski and A□□□ur Lennig,□this means that, as□f□r □s bo□h□it□ date and □ts l□□gth a□e co□cerned, □h□□Austr□an ve□s□on lies almost exact□y in□the□middl□ between the (lost)□□□rsion shown at the □remie□e and □he □e-release□ □n□.□ l□rge pa□t□of t□e additi□nal□len□th of □he f□lm c□n be traced to□c□□□ tha□ were made to the□1924 versi□n in almost every□□ho□. Kosz□rski describes how the b□□innin□ an□□the en□□of□scen□s wer□ trimmed, in or□er to "□sp□e□ up" the film. Ho□□ve□, m□□e□exciting w□s t□e disco□er□ that□the Au□tri□n□versio□ conta□ns shots□tha□ ar□ mi□si□g in the Americ□n one -□□hots/counte□s□ots, □ntertitles -□and furthe□more shows□d□fferenc□s i□□its m□nt□ge (i.e. the pl□cing o□ the□individu□l shots within a sequ□n□e). All□□his i□dicates that□D□e Rache der Berge □□nstit□tes the oldes□ and □o□t completely pr□served□material of□the□film.一(💳)会之后，五人就一同来到了琳□阁的客厅。□“バンパイア□のテスト□行中、謎の触手から攻撃□受けた藍華。□女はど(⛅□うにか□体を立(🦂)て(🐴)直すが□□の正体は不明であった。そんな中、□華はエリから呼び出□れ□久□に彼□やカレンと(🛎)□再会□果たす。だが、それは□華に□□をするためで□った。カレンの通□てい□(□)聖エアロ学園に潜入□、ここで起き□い(🗑)る連続失踪事件□□□ること□□(□□った藍華。そして、エ□が怪しい□□んだ時計塔□□例の□□が潜ん(□)でいた場所でも□った。 □4□初□😘□□察汗淖尔草□还未返青，察汗淖尔湿(🤦□□公(🏑)园内的许多珍稀植物(🍽)均已顽强□□下了根。
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