《在公交车上破了女孩子》

In 1995, the young Taiwanese woman writer Qiu Miaojin committed suicide in Paris’s Montmartre district, leaving behind the autobiographical novel LAST WORDS IN MONTMARTRE. Two decades later, the novel was published in English by the prestigious New York Review Books, bringing Qiu renown in Western literary circles and quickly prompting translations into other European languages. Qiu is considered the first openly lesbian novelist in the history of Chinese literature; her debut novel, NOTES OF A CROCODILE, became a “Bible” for the Taiwanese lesbian community and an underground classic in Taiwan and Hong Kong, with an official edition finally published in 2012. DEATH IN MONTMARTRE travels through Taiwan, Paris, and New York to trace the life of this literary star who enjoyed fame only after her death, interviewing literary masters from Taiwan, France, and the U.S. while discussing LGBTQ culture and lesbian literature from a perspective of equality.

“我没说错吧，补给一脉就是怂货、软蛋，除了会耍耍嘴皮子，就只会躲在别人身后！在公交车上破了女孩子“明天起你不必干别的活，守在黑市不管花多少钱都必须弄头驴来。”

看《八佰》之前,人们想到战争片,大多能想到的是“爽”,是机械互博,枪林弹雨的刺激宏大。 看完《八佰》,除了以上的情绪,最多却是「想哭」。 「 01 」 影片的开

这部《布里杰顿家族》前传围绕夏洛特女王的崛起展开叙述，讲述了年轻的女王与乔治国王的婚姻如何激发出精彩的爱情故事并造成了社会变革，从而造就了《布里杰顿家族》中的上流社会。