《漂亮的花仙子》

“你先施展百影剑诀让我看看。”器苍天说道

很久以前，在宝岛台湾住着勇敢的青年大尖和美丽的姑娘水社，他们相互爱慕，常常在大树下相会。突然有一天，整个大地陷入一片黑暗，原来是住在黑水潭的妖龙把太阳和月亮偷走了。大尖和水社跋山涉水找到金斧头和金剪刀，杀死了妖龙，救出了太阳和月亮。后来，他们变成了两座大山守护在潭水边保护太阳和月亮，人们便叫它日月潭。漂亮的花仙子所以，他愧疚、自责，觉得错在自己。

说着，就直接上了车。

Amiko isn’t like other children. Her endless energy and curious eccentricities make her an outcast at school and get her in trouble at home. When a painful family loss disrupts her seemingly idyllic seaside life, her sense of isolation intensifies, yet it doesn’t stop Amiko from inviting people into her world.　　Morii Yusuke’s directorial debut is a confident and compassionate story about a child’s imagination. The film balances sorrow with joy and harsh lessons with naive delight – much like growing up. Crucially, Amiko never forgets who is at the centre of the story. The wry humour and detailed compositions of small-town Japan, as well as the film’s hopeful tenor, are reminiscent of Ogigami Naoko or Hirokazu Kore-eda’s works. The gentle and languorous atmosphere is enriched by a score from upcoming folk star Ichiko Aoba.　　Kana Osawa delivers an exquisite, force-of-nature performance as young Amiko. Effortlessly natural, her commanding presence and vitality carry great weight whilst ensuring the film never falls into despair. Amiko’s unbeaten spirit in the face of tired adults and uncooperative classmates lets us go through the pain, as well as experience flashes of mischievous whimsy, alongside a spiriting musical sequence that will ensure you’ll never listen to a conga drum the same way.