主演:さくらゆら 蕾切尔·麦克道威尔 萨曼莎·莫顿 刘易斯·菲安德
导演:帕尔·奥耶
2. 《协议分手后,...莫兰和罗曼□两名银行职员,他们(🐁)在人生(□)的某个阶段对自(👐)己的日常(🚷)工作产生了质疑。他们中的一个□到了(🎬)解决办法(□)□那就□犯罪。□知何故,他成功□,并□🀄)将自己的□运□付给□□□搭档。这个□□□使他们□生活发生巨大的变化,以寻求更好的生□。□ane A□□ten □emains one of the g□eate□□ w□it□rs of □ll□time.□Almos□□tw□ hundred yea□s a□ter he□ de□th, her n□ve□□ such as “Prid□ □nd Preju□ice”□and “M□nsfi□□d □a□k”□continue to□entranc□ generations of□reader□ the wo□ld ove□. This film□sh□tters any□assumption tha□ A□sten herse□f lived t□e ele□ant□Rege□cy l□fe of h□r finan□iall□ comfo□table h□roine□ □ho ultima□e□y find their□true l□ve.□ Instead it reveals the □eal□J□ne Austen as part□of s□rata□of□Regency s□c□ety□much cruel□er in□its treat□ent of wo□e□ □nd harsher□in it□ economic realities□than her nov□ls a□d th□□r cu□r□nt te□evision □d□pt□tio□s convey.□And it □iscove□□ □ woman□mo□e t□a□□c□in her own personal love l□□□ who d□es□□ot enjoy the □happy end□ng” that □he □est□w□ upon her own fe□al□ cha□ac□ers. □h□ou□h re□di□gs and dramati□ □econst□uctio□s, T□e□Real Jane Au□ten pieces to□ether th□ real□ty of A□sten’s ex□ste□ce her m□dest upbringing in Hampshire as one of se□□n chi□dren of a□cl□rgyman; □er □isappoint□ent in□love; an□ the fam□l□□s □ov□rt□□followi□g the death of he□□f□the□□ □□hrou□□ her wri□ing Ja□e found fi□□ncia□ inde□enden□e wit□out havi□g□to marr□. Tr□gically □nly□fo□□ years lat□r in Ju□y 18□7 while wr□t□ng “Persuasion” Jane Austen di□d. Fil□ed in loca□ions□associated wit□ Austen inclu□ing Jane’s birth plac□ of Stevent□n □nd□her l□□er h□m□ in Ch□wton, □n□ illu□t□□t□d with ex□racts from fil□ □nd televi□ion□adaptat□□ns □f Au□ten’□□work, Th□ Re□l□A□sten paint□ a vivid p□rtra□t o□ one of the greatest talen□s in Engli□h □iter□tur□□ ...详情
□ane A□□ten □emains one of the g□eate□□ w□it□rs of □ll□time.□Almos□□tw□ hundred yea□s a□ter he□ de□th, her n□ve□□ such as “Prid□ □nd Preju□ice”□and “M□nsfi□□d □a□k”□continue to□entranc□ generations of□reader□ the wo□ld ove□. This film□sh□tters any□assumption tha□ A□sten herse□f lived t□e ele□ant□Rege□cy l□fe of h□r finan□iall□ comfo□table h□roine□ □ho ultima□e□y find their□true l□ve.□ Instead it reveals the □eal□J□ne Austen as part□of s□rata□of□Regency s□c□ety□much cruel□er in□its treat□ent of wo□e□ □nd harsher□in it□ economic realities□than her nov□ls a□d th□□r cu□r□nt te□evision □d□pt□tio□s convey.□And it □iscove□□ □ woman□mo□e t□a□□c□in her own personal love l□□□ who d□es□□ot enjoy the □happy end□ng” that □he □est□w□ upon her own fe□al□ cha□ac□ers. □h□ou□h re□di□gs and dramati□ □econst□uctio□s, T□e□Real Jane Au□ten pieces to□ether th□ real□ty of A□sten’s ex□ste□ce her m□dest upbringing in Hampshire as one of se□□n chi□dren of a□cl□rgyman; □er □isappoint□ent in□love; an□ the fam□l□□s □ov□rt□□followi□g the death of he□□f□the□□ □□hrou□□ her wri□ing Ja□e found fi□□ncia□ inde□enden□e wit□out havi□g□to marr□. Tr□gically □nly□fo□□ years lat□r in Ju□y 18□7 while wr□t□ng “Persuasion” Jane Austen di□d. Fil□ed in loca□ions□associated wit□ Austen inclu□ing Jane’s birth plac□ of Stevent□n □nd□her l□□er h□m□ in Ch□wton, □n□ illu□t□□t□d with ex□racts from fil□ □nd televi□ion□adaptat□□ns □f Au□ten’□□work, Th□ Re□l□A□sten paint□ a vivid p□rtra□t o□ one of the greatest talen□s in Engli□h □iter□tur□□
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